Nanook of the North (1922)

Director:

Robert J. Flaherty

Writers:

Frances H. Flaherty (idea)
Robert J. Flaherty (writer)

Release Date:

11 June 1922 (USA)

Genre:

Documentary

Tagline:

A story of life and love in the actual Arctic.

Plot:

Documents one year in the life of Nanook, an Eskimo (Inuit) and his family. Describes the trading, hunting...

Plot Keywords:

Inuit | Eskimo | Kayak | Snow | Igloo

Awards:

1 win

Cast

Allakariallak	...	Nanook (as Nanook)
Nyla	...	Herself (Nanook's wife, the smiling one)
Cunayou	...	Herself (Nanook's wife)
rest of cast listed alphabetically:
Allee	...	Himself (Nanook's son)
Allegoo	...	Himself (Nanook's son)

Also Known As:

Nanouk l'Esquimau (France)

Runtime:

79 min

Country:

USA | France

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Portugal:17 (original rating) | Portugal:M/6 (DVD rating) | Canada:G (Manitoba/Nova Scotia/Québec) | Canada:PG (Ontario) | Germany:6 | Spain:T | UK:U (re-release) (1947)

Filming Locations:

Hudson Bay, Québec, Canada

Company:

Les Frères Revillon

Trivia:

The film was sponsored by French fur company Revillon Freres which provided $50,000 for Flaherty's 16-month expedition halfway to the North Pole. Despite being rejected by five distributors, the film opened in New York City in 1922, after its success in Paris and Berlin, and grossed well over $40,000 in its first week.

Movie Connections:

Referenced in White Christmas (1954)

Sensitive Documentary

For a film as old as Nanook of the North, it might be expected that some cultural imperialism would seep into such an anthropological venture. Amazingly, this is hardly the case. The lives of a band of hardy eskimos are shown with little added or taken away. We see them fighting for food, playing, building shelters, and cowering in the dark winter. All of these elements are shown without undue sentimentality. We are amazed at the lives we see because they are so different from our own, yet we realize just how human they are when they smile at us and engage us. The sequence where the igloo is built is truly remarkable, as are many of the hunting expeditions. However, just when we start to think that the life we are seeing may be perfect in its purity, we are shown the other side of eskimo life. The bleak ending of the film forces the viewer to come to terms with his romanticized view of eskimos that the first part of the film creates. A great film experience.