at Internet Archive
'The Vagabond' represents quite an evolution for Chaplin. He had already proved himself the funniest comedian on screen and was already in the process of distancing himself from the crude and frantic slapstick of Keystone. With this film, more than any afore, he recreated the tramp as a character worthy of pity. Here begins the pathetic hero whom audiences could invest their emotions in. At Mutual, adding this drama to his refinements in his comedy, he created in the tramp cinéma's most endeared and recognizable image.In the film, the vagabond violinist saves the girl (Edna Purviance, as usual) from a terrible gypsy chieftain who whips her. Although Charlie saves her by hitting the gypsies over the heads with a log, there isn't much that's funny about this sequence; it's as purely dramatic as Chaplin's films ever get. And, it perfectly sets Chaplin up as the hero for the sentimental dénouement. Additionally, rather than an equally rough and comic clown or a heavy as the tramp's competition for the girl, here, it's a handsome gentleman artist, leaving the tramp feeling inadequate--and to us, more pathetic than ever.
You may report errors and omissions on this page to the IMDb database managers. They will be examined and if approved will be included in a future update. Clicking the 'Update' button will take you through a step-by-step process.
