Intolerance: Love's Struggle Throughout the Ages (1916)

User Rating:

8.1/10   

Director:

D.W. Griffith

Writers:

D.W. Griffith (scenario)
Anita Loos (titles)

Release Date:

5 September 1916 (USA)

Genre:

Drama | History | Romance

Tagline:

The Cruel Hand of Intolerance

Plot:

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

Plot Keywords:

Public Domain | Babylon Babylonia | Hypocrisy | Naivety | Intolerance

Awards:

1 win

Cast

Mae Marsh	...	The Dear One (Modern Story)
Robert Harron	...	The Boy (Modern Story)
F.A. Turner	...	The Girl's Father (Modern Story) (as Fred Turner)
Sam De Grasse	...	Arthur Jenkins (Modern Story)
Vera Lewis	...	Mary T. Jenkins (Modern Story)
Mary Alden	...	Self-Styled Uplifter (Modern Story)
Eleanor Washington	...	Self-Styled Uplifter (Modern Story)
Pearl Elmore	...	Self-Styled Uplifter (Modern Story)
Lucille Browne	...	Self-Styled Uplifter (Modern Story)
Julia Mackley	...	Self-Styled Uplifter (Modern Story) (as Mrs. Arthur Mackley)
Miriam Cooper	...	The Friendless One (Modern Story)
Walter Long	...	The Musketeer of the Slums (Modern Story) / Uncredited Babylonian Warrior (Babylonian Story)
Tom Wilson	...	The Kindly Policeman (Modern Story)
Ralph Lewis	...	Governor (Modern Story)
Lloyd Ingraham	...	Judge of the Court (Modern Story)

Also Known As:

Intolerance (USA) (short title)
Intolerance: A Sun-Play of the Ages (USA) (copyright title)
The Mother and the Law (USA) (working title)

Runtime:

163 min | Argentina:175 min | Spain:123 min (TV version) | Spain:197 min (DVD version) | UK:178 min (2000 video release) | USA:197 min

Country:

USA

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Silent

Certification:

Argentina:Atp | South Korea:12 (2003) | Sweden:15

Filming Locations:

Baldwin Hills, Los Angeles, California, USA

Company:

Triangle Film Corporation

Trivia:

The role of the second Pharisee is credited to Erich von Stroheim. However, von Stroheim did not play this role. D.W. Griffith decided to use von Stroheim's name as a pseudonym for actor William Courtright, who actually plays the role. This has caused much confusion over the years. Von Stroheim's only work on this film was as a production assistant for the Babylon sequences.

Goofs:

Revealing mistakes: An extra out of character, fumbling with his costume, in the Belshazzar feast sequence.

Quotes:

The Boy: Nothing doing on the good night stuff, I always go inside to see my girls.

Movie Connections:

Featured in 100 Years at the Movies (1994) (TV)

Fascinating - Even Its Flaws Are Interesting

Everything about this movie is fascinating, even its numerous flaws. It is as ambitious a movie as has ever been made, and if you adjust for the era, it might also be the most lavish, expensive, and painstaking. Even today the scope and detail stand out, despite the many technical limitations in its era. Likewise, the enormous cast list contains many names that silent film fans will recognize at once, with well-known performers even in some of the minor roles. Then, you could write many pages about the stories, which are filled with weaknesses, but which are also so interesting that you never want to miss what will happen next.

The concept behind "Intolerance" is as enterprising as it gets: no fewer than four complete, independent story-lines, with the movie switching back-and-forth among them, not necessarily in consecutive order but with a definite plan in mind, all in order to get across the idea suggested by the title - that is, that intolerance of others' beliefs or lifestyles has been a destructive force throughout history. It is generally understood that there is a strong dose of defensiveness behind this plan, since the ideas promoted in Griffith's previous film had earned for him some severe and well-justified criticism. This personal motivation could well explain why "Intolerance" is often so overblown, and it also is interesting in light of the stories chosen to illustrate the main themes.

The two most straightforward stories - the persecution of the Huguenots in 16th century France, and the persecution of Jesus Christ by the religious leaders of his day - are also the most believable, and yet they do not seem to get quite the screen time or the lavish detail of the other two. The contemporary story may have been the most important to Griffith, and it is a full-scale melodrama, full of heavy-handed developments and very unlikely coincidences, yet certainly a story that will hold your attention. The Babylonian story is at once the strangest choice, the most extravagant, and the most fascinating of all. As history, it is as distorted as (or more so than) any of today's movies. Trying to pass off Belshazzar of Babylon as a model of justice and tolerance is just weird, and the entire historical scenario is at best an imaginative embellishment of the truth. But the involved story that Griffith tells in this setting is so exciting and entertaining that you just can't take your eyes away from it.

Much, much more could be said, but anyone with an interest in silent movies or in cinema history will want to watch it and draw his or her own conclusions. Whether you want to analyze the vast array of themes, events, and ideas, or whether you just want to sit back and enjoy a fascinating spectacle, the three hours fly by very quickly, and it's a movie you won't forget.