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The Fireman (1916) -- Charlie is a fireman who always does everything wrong. A man talks the Fire Chief into ignoring his burning home (he wants the insurance money) unaware that his daughter (the love of the Chief) is upstairs in the house...

Overview

User Rating:
6.4/10   635 votes
MOVIEmeter: ?
Up 17% in popularity this week. See why on IMDbPro.
Director:
Writers:
Vincent Bryan (writer)
Charles Chaplin (writer)
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Contact:
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Release Date:
12 June 1916 (USA) more
Genre:
Plot:
Charlie is a fireman who always does everything wrong. A man talks the Fire Chief into ignoring his... more | add synopsis
User Reviews:
Charlie The Fireman more (12 total)

Cast

  (Complete credited cast)

Charles Chaplin ... Fireman
Edna Purviance ... Girl
Lloyd Bacon ... Her Father
Eric Campbell ... Foreman of the Brigade
Leo White ... Owner of Burning House
Albert Austin ... Fireman
John Rand ... Fireman
James T. Kelley ... Fireman (as James T. Kelly)
Frank J. Coleman ... Fireman
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Additional Details

Also Known As:
A Gallant Fireman (USA) (alternative title)
The Fiery Circle (USA) (alternative title)
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Runtime:
32 min | Canada:24 min (Ontario)
Country:
Language:
Aspect Ratio:
1.33 : 1 more
Sound Mix:

Fun Stuff

Trivia:
The film shows some early day street scenes in the surrounding Los Angeles area. more

FAQ

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2 out of 5 people found the following review useful.
Charlie The Fireman, 1 February 2004
Author: hausrathman

"The Firemen," the second of Chaplin's golden dozen of comedies for the Mutual Company, is probably my least favorite of the bunch. It is a typical occupational comedy, where a comedian is placed in a certain job and wrings the comic potential from the various tools of the trade. It's not a terrible film by any stretch of the imagination. There certainly are laughs, and Chaplin does milk some simple gags, like the incessant butt-kicking, a little more successfully than he did at Keystone or Essanay. (For example, in a Keystone comedy, if someone bent over, someone else would automatically kick them in the butt. Here, if you bend over you will still get kicked, but Chaplin makes a little more of it. He will consider the butt, address it as it were, before he makes his kick. It is a small step to be sure, but every step is important.) Chaplin also attempts stretch a little technically with some backward motion gags, but they are obvious and not very funny. Overall, the film suffers because it does not reach the standard Chaplin would set for himself with his later efforts.

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