Product Description
Additional Features
Katsuhiro Otomo's Akira is often described as the movie that created a mass audience for Japanese animation in America. Akira looks better now in this remastered DVD than it did on its original release: dust, dirt, and scratches have been digitally removed and the color has been rebalanced. It also makes more sense in a new translation. The ending still leaves many questions unanswered (which is not unusual in anime), but the convoluted plot is easier to follow than it was in the initial English version. Pioneer has included numerous special features in this two-disc set, some more special than others. "Capsule mode" offers brief explanations of some details and translations of signs in Japanese during the feature. "The Akira Production Report," an old Japanese making-of film, comprises interviews with staff members who explain the basic animation process (the footage of artists inking and painting cels by hand looks almost comically dated). "Restoration" provides a behind-the-scenes look at the people who prepared the remastered version, but it's pretty superficial. "Production Materials" contains more than 4,500 still images: storyboards, early character designs, background art, etc. There's also an interview with Otomo and an assortment of trailers. This Akira is the definitive version of a landmark film in the history of Japanese animation and anime fandom: it's a must-have not just for otaku, but for anyone interested in the medium. --Charles Solomon
Amazon.com Essential Video
Artist-writer Katsuhiro Ôtomo began telling the story of Akira as a comic book series in 1982 but took a break from 1986 to 1988 to write, direct, supervise, and design this animated film version. Set in 2019, the film richly imagines the new metropolis of Neo-Tokyo, which is designed from huge buildings down to the smallest details of passing vehicles or police uniforms. Two disaffected orphan teenagers--slight, resentful Tetsuo and confident, breezy Kanada--run with a biker gang, but trouble grows when Tetsuo start to resent the way Kanada always has to rescue him. Meanwhile, a group of scientists, military men, and politicians wonder what to do with a collection of withered children who possess enormous psychic powers, especially the mysterious, rarely seen Akira, whose awakening might well have caused the end of the old world. Tetsuo is visited by the children, who trigger the growth of psychic and physical powers that might make him a superman or a supermonster. As befits a distillation of 1,318 pages of the story so far, Akira is overstuffed with character, incident, and detail. However, it piles up astonishing set pieces: the chases and shootouts (amazingly kinetic, amazingly bloody) benefit from minute cartoon detail that extends to the surprised or shocked faces of the tiniest extra; the Tetsuo monster alternately looks like a billion-gallon scrotal sac or a Tex Avery mutation of the monster from The Quatermass Experiment; and the finale--which combines flashbacks to more innocent days with a destruction of Neo City and the creation of a new universe--is one of the most mind-bending in all sci-fi cinema. --Kim Newman