| Academy Awards, USA | |||
| Year | Result | Award | Category/Recipient(s) |
|---|---|---|---|
| 1978 | Nominated | Oscar |
Best Costume Design for: Airport '77 (1977) Shared with: Burton Miller |
| 1976 | Nominated | Oscar |
Best Costume Design for: The Man Who Would Be King (1975) |
| 1974 | Won | Oscar |
Best Costume Design for: The Sting (1973) |
| 1971 | Nominated | Oscar |
Best Costume Design for: Airport (1970) |
| 1970 | Nominated | Oscar |
Best Costume Design for: Sweet Charity (1969) |
| 1967 | Nominated | Oscar |
Best Costume Design, Color for: The Oscar (1966) |
| 1966 | Nominated | Oscar |
Best Costume Design, Black-and-White for: The Slender Thread (1965) |
Best Costume Design, Color for: Inside Daisy Clover (1965) Shared with: Bill Thomas |
| 1965 | Nominated | Oscar |
Best Costume Design, Black-and-White for: A House Is Not a Home (1964) |
Best Costume Design, Color for: What a Way to Go! (1964) Shared with: Moss Mabry |
| 1964 | Nominated | Oscar |
Best Costume Design, Black-and-White for: Love with the Proper Stranger (1963) |
Best Costume Design, Black-and-White for: Wives and Lovers (1963) |
Best Costume Design, Color for: A New Kind of Love (1963) |
| 1963 | Nominated | Oscar |
Best Costume Design, Black-and-White for: The Man Who Shot Liberty Valance (1962) |
Best Costume Design, Color for: My Geisha (1962) |
| 1962 | Nominated | Oscar |
Best Costume Design, Color for: Pocketful of Miracles (1961) Shared with: Walter Plunkett |
| 1961 | Won | Oscar |
Best Costume Design, Black-and-White for: The Facts of Life (1960) Shared with: Edward Stevenson |
| Nominated | Oscar |
Best Costume Design, Color for: Pepe (1960) |
|
| 1960 | Nominated | Oscar |
Best Costume Design, Black-and-White for: Career (1959) |
Best Costume Design, Color for: The Five Pennies (1959) |
| 1959 | Nominated | Oscar |
Best Costume Design, Black-and-White or Color for: The Buccaneer (1958) Shared with: Ralph Jester John Jensen |
| 1958 | Nominated | Oscar |
Best Costume Design for: Funny Face (1957) Shared with: Hubert de Givenchy |
| 1957 | Nominated | Oscar |
Best Costume Design, Black-and-White for: The Proud and Profane (1956) |
Best Costume Design, Color for: The Ten Commandments (1956) Shared with: Ralph Jester John Jensen Dorothy Jeakins Arnold Friberg |
| 1956 | Nominated | Oscar |
Best Costume Design, Black-and-White for: The Rose Tattoo (1955) |
Best Costume Design, Color for: To Catch a Thief (1955) |
| 1955 | Won | Oscar |
Best Costume Design, Black-and-White for: Sabrina (1954) |
| 1954 | Won | Oscar |
Best Costume Design, Black-and-White for: Roman Holiday (1953) |
| 1953 | Nominated | Oscar |
Best Costume Design, Black-and-White for: Carrie (1952) |
Best Costume Design, Color for: The Greatest Show on Earth (1952) Shared with: Dorothy Jeakins Miles White |
| 1952 | Won | Oscar |
Best Costume Design, Black-and-White for: A Place in the Sun (1951) |
| 1951 | Won | Oscar |
Best Costume Design, Black-and-White for: All About Eve (1950) Shared with: Charles Le Maire |
Best Costume Design, Color for: Samson and Delilah (1949) Shared with: Dorothy Jeakins Eloise Jensson Gile Steele Gwen Wakeling |
| 1950 | Won | Oscar |
Best Costume Design, Black-and-White for: The Heiress (1949) Shared with: Gile Steele |
| 1949 | Nominated | Oscar |
Best Costume Design, Color for: The Emperor Waltz (1948) Shared with: Gile Steele |
| BAFTA Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1976 | Nominated | BAFTA Film Award |
Best Costume Design for: The Man Who Would Be King (1975) |
| Laurel Awards | |||
| Year | Result | Award | Category/Recipient(s) |
| 1964 | Won | Golden Laurel |
Special Award "who dresses up the movies and generates news in the world of fashion with creations that are seen in each of her films." |
| Walk of Fame | |||
| Year | Result | Award | Category/Recipient(s) |
| unknown | - | Star on the Walk of Fame |
Motion Picture At 6500 Hollywood Blvd. |