Biography for
Herbert Lom More at IMDbPro »

Date of Birth

11 September 1917, Prague, Bohemia, Austria-Hungary [now Czech Republic]

Birth Name

Herbert Charles Angelo Kuchacevich ze Schluderpacheru

Height

5' 9¼" (1.76 m)

Mini Biography

With a name like Herbert Charles Angelo Kuchacevich Schluderpacheru, it is easy to see why he chose Herbert Lom. He has had an interesting film career, playing Napoleon Bonaparte in The Young Mr. Pitt (1942), The Phantom (Prof. L. Petrie) in The Phantom of the Opera (1962), Prof. Abraham Van Helsing in _Count Dracula (1970)_ and even Captain Nemo in Mysterious Island (1961)! Herbert Lom will probably be best-remembered for his portrayal of Inspector Clouseau's insane boss, Commissioner Charles Dreyfus.

IMDb Mini Biography By: Nick Johansen honassen@yahoo.com

Mini Biography

Born 11 September 1917, Herbert Lom made his film debut in the Czech film Zena pod krízem (1937) and played supporting and occasionally lead roles. His career picked up in the 1940s and he played, among other roles, Napoleon Bonaparte in The Young Mr. Pitt (1942) (and again in War and Peace (1956)). In a rare starring role, Lom played twin trapeze artists in Dual Alibi (1946). He continued into the 1950s with roles opposite Alec Guinness and Peter Sellers in The Ladykillers (1955) and Robert Mitchum, Jack Lemmon and Rita Hayworth in Fire Down Below (1957). His career really took off in the 1960s and he got the title role in Hammer Films' production of The Phantom of the Opera (1962). He also played Captain Nemo in Mysterious Island (1961) and landed supporting parts in El Cid (1961) and an especially showy role in Spartacus (1960) as a pirate chieftain contracted to transport Spartacus' army away from Italy. The 1960s was also the decade in which Lom secured the role for which he will always be remembered: Peter Sellers' long-suffering boss Commissioner Charles Dreyfus in the "Pink Panther" films, in which he pulled off the not-inconsiderable feat of stealing scenes from a veteran scene-stealer like Sellers. Lom didn't concentrate solely on a film career, however. He had become a familiar face to British TV viewers when he starred as Dr. Roger Corder in the series "The Human Jungle" (1963). He moved into horror movies in the 1970s, with parts in Asylum (1972/I) and _And Now the Screaming Starts! (1973)_. He played Prof. Abraham Van Helsing opposite Christopher Lee in _Count Dracula (1970)_, matching wits against the sinister vampire himself. He secured his place in film history, however, as Commissioner Charles Dreyfus in the series of Pink Panther sequels, managing the not-inconsequential feat of stealing almost every scene he was in, even those with Peter Sellers himself. Lom appeared as one of the ten victims in _And Then There Were None (1974)_, playing the drunken Dr. Armstrong. His career continued into the 1980s, a standout role being that of Christopher Walken's sympathetic doctor in The Dead Zone (1983). He also played opposite Walter Matthau in Hopscotch (1980) and returned to the murder mystery Ten Little Indians (1989), this time playing the General. Lom has been taking it easy since then, though he returned to his familiar role of Commissioner Charles Dreyfus in Son of the Pink Panther (1993). He has always been a reliable and eminently watchable actor, unfortunately not receiving the stardom he probably should have. Here's to Herbert Lom, long may he twitch.

IMDb Mini Biography By: frankfob2@yahoo.com

Spouse

Dina Scheu	(10 January 1948 - 1971) (divorced) 2 children
Eve ?	(? - ?)

Trade Mark

Low, authoritative voice.

Trivia

As of September 2008, he is the only surviving member of the cast of "The Ladykillers" (1955).

Personal Quotes

Peter Sellers was always a mixed-up guy, a childish fellow. But if you're fond of children, you're also fond of childish men. He was always very helpful to me. After he was famous and when I was still in trouble with the US embassy, he wrote a letter in support of me which was magnificent. But it is true that he was very cruel to his children. He was so hurt by the way children treat you when you're their father. I have been hurt by my children. But he was not in possession of a proper brain when it came to these things.

Asylum (1972/I) was good exposure for me and it is still shown quite often on television. I remember the special effects people had fun making a little doll that looked like me - which is not so easy - and it had to move along the floor.

You know, I always do my best, no matter the quality of the film.

For one of my scenes, the Hammer people wanted me to smash my head against a stone pillar, because they said they couldn't afford one made of rubber. I refused to beat my head against stone, of course.

In English eyes, all foreigners are sinister.

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