6 articles from 2009
2 November 2009 12:30 AM, PST | BroadwayWorld.com | See recent BroadwayWorld.com news »
Westport Country Playhouse's Gala 2009 will feature a star-studded evening of entertainment and conviviality on Monday, November 2, highlighted by special salutes to Mary Rodgers Guettel, composer, and Elisabeth Morten, Playhouse board of trustees chairman. Honorary gala co-chairs are Anne Keefe and JoAnne Woodward, former Playhouse artistic directors. Proceeds, in part, will support the Woodward Intern and Apprentice program, recently named in recognition of Ms. Woodward's interest in training the next generation of theater artists. The Playhouse's intern and apprentice program has been in existence since 1946.
A special tribute will be made to Ms. Rodgers Guettel, who began her theatrical career as a Playhouse intern in 1950, and went on to write the music for the Broadway hit, "Once Upon a Mattress." She is the daughter of composer Richard Rodgers. Stephen Sondheim, who also was in the 1950 Playhouse intern class, and Christopher Plummer, will be present to honor Ms. Rodgers Guettel.
Ms. »
23 October 2009 8:36 PM, PDT | FilmExperience | See recent FilmExperience news »
Shankman's got spirit!
Do you follow the Oscar show news in the way you follow the Oscars? I don't so much, despite this life I lead constantly writin' about the awards themselves. I care who hosts to some degree but I tend to ignore the rest. But I found it interesting this week when director Adam Shankman (Hairspray) was named as one of the producers and his choreography skills were noted as a reason to be enthused about this assignment. At least he has a sense of humor about his, um, limited history with the big event I was one of Paula Abdul's 'Under the Sea' pirates," Shankman said. "The last time I was at the Oscars, I was in Lycra, with a pirate hat on. Shankman's presence must mean more musical numbers. I'm all for musical numbers provided they rehire Hugh Jackman as host. He was so fine last year. »
- NATHANIEL R
2 August 2009 10:59 AM, PDT | blogs.suntimes.com/ebert | See recent Roger Ebert's Blog news »
All lists of the "greatest" movies are propaganda. They have no deeper significance. It is useless to debate them. Even more useless to quarrel with their ordering of titles: Why is this film #11 and that one only #31? The most interesting lists are those by one person: What are Scorsese's favorites, or Herzog's? The least interesting are those by large-scale voting, for example by IMDb or movie magazines. The most respected poll, the only one I participate in, is the vote taken every 10 years by Sight & Sound, the British film magazine, which asks a large number of filmmakers, writers, critics, scholars, archivists and film festival directors.
1. The Night of the Hunter, 1955
That one at least has taken on a canonical aspect. The list evolves slowly. Keaton rises, Chaplin falls. It is eventually decided that "Vertigo" is Hitchcock's finest film. Ozu cracks the top ten. Every ten years the net is thrown out again. »
- Roger Ebert
7 July 2009 8:17 AM, PDT | Twitch | See recent Twitch news »
[Our thanks to Michael Hawley for this write-up.]
July is here—which means it’s time to jump aboard the time machine and set the dial for 1920s San Francisco. The Sf Silent Film Festival (Sfsff) returns for its 14th glorious edition this weekend, and lucky Bay Area filmgoers (and scores of devoted out-of-towners) will get to relive the magnificent era of silent movies once more.
Sfsff is a first-rate act, which explains why it’s become the most prestigious annual event of its kind in the Americas. How so? First, you begin with a venue like the built-in-‘22 Castro Theater, perhaps the nation’s most beloved extant movie palace. Next you program an eclectic, challenging and fun group of films and exhibit them with the best possible 35mm prints. Then you hire the cream of internationally renowned silent movie musicians to accompany the films. Throw in a printed program of scholarly essays, informative slideshows before each screening, »
- Michael Guillen
16 March 2009 5:01 AM, PDT | FilmExperience | See recent FilmExperience news »
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Visited the Valentina exhibit at the Museum of the City of New York today. The gloved gown to the left was for exotic Hollywood beauty Merle Oberon. The green gown was designed for Lillian Gish who apparently wore Valentina both on and off stage. Finally to the right this Katharine Hepburn ensemble was for The Philadelphia Story. Valentina declared "At last, I made her look like a woman."
To your left are three Greta Garbo pieces. Apparently Garbo was pretty damn specific about what she wanted. The coat to your left she asked that it be ...a combination of The Duchess of Windsor, Lady Mendl and George Bernard ShawYou can't see the details too well here but the gown to your right, the "petal pink and black floral medallion silk brocade" is amazing.
Valentina was quite a high society character (why no biopic of her? »
- NATHANIEL R
29 January 2009 2:01 PM, PST | Cinemaretro.com | See recent CinemaRetro news »
The 13th annual Kansas Silent Film Festival will be held on February 27th and 28th, 2009 and will play host to both the U.S.A. Premiere of a restored ‘lost’ feature film and the Kansas Premiere of a new documentary on silent film star, Mary Pickford. Sponsored by Washburn University, this event will take place at White Concert Hall on campus. Admission is free and open to the public. For more current information, check out our website at www.kssilentfilmfest.org.
The U.S.A. Premiere is Barelys the Magnificent, a previously ‘lost’ MGM feature film from 1926 starring John Gilbert in a swashbuckling romantic adventure based on a novel by Rafael Sabatini. It’s a sumptuous, exciting tale set in 17th Century France with a cavalier lover who steals women’s hearts, but cannot find the words for the woman he truly loves. There’s a rousing climax that outdoes »
- nospam@example.com (Cinema Retro)
6 articles from 2009
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