Bunty Aur Babli (2005)

reviewed by
Michael Dequina


_Bunty_aur_Babli_(Bunty_and_Babli)_ *** (out of ****)

Bollywood has a reputation for churning out fairly inconsequential, candyfloss films, and while this rollicking romantic caper indeed proves to be one of those so-labeled "timepass entertainers," it also proves that that doesn't necessarily have to be a bad thing. The "Bunty" and "Babli" of the title are actually small-town dreamers Rakesh (Abhishek Bachchan) and Vimmi (Rani Mukerji), a would-be entrepreneur and Miss India wannabe, respectively. When they meet up by chance after both of their big city ambitions quickly come crashing down, they decide to stick it to the powers that be by becoming ace con artists--not so much for the money than the sheer thrill of it. Determined to end their reign of fun is a cop (Amitabh Bachchan, marking the first time he and his son have appeared together onscreen) hot on their trail.

Per the Bollywood norm, it is a fairly thin plot to fill three hours of running time, but also as usual, it's up to style to carry the day, and the sweet allure of this fast-paced confection cooked up by director Shaad Ali (in a far cry from his hit 2002 domestic drama _Saathiya_) is no con. Ali keeps the pace light on its feet, and he deftly keeps the proceedings from becoming overly episodic or redundant as the pair move from swindle to swindle. Contributing in no small part to the film's forward drive is the reliably catchy song score by the composing triumvirate of Shankar-Ehsaan-Loy. The film hits the ground running with a rousing opening number that plays like a cross between the classic "Chaiyya Chaiyya" sequence in 1998's _Dil_Se..._(From_the_Heart...)_ and a vintage Disney "I Want" song, in which Rakesh and Vimmi relate their dreams beyond and frustration with life in their little towns full of little people. Ali gives each song thereafter equally lively picturizations, including a sultry item featuring a special appearance by a certain Bolly-Holly crossover queen. If some of the numbers seem a bit jarringly extreme--such as a high-energy dance number featuring the normally rather demure Mukerji shaking her groove thang in skimpy black vinyl, fishnets, and fuck-me boots--one must credit the go-for-broke exuberance.

And most exuberant and appealing of all is the toplining pair of Bachchan (the younger) and Mukerji. Last seen together as a most dysfunctional and destructive couple in last summer's gritty _Yuva_(Youth)_, the genuine romantic chemistry that made them so heartbreaking in that film easily translates to a far sunnier setting. Playful, sweet, and sexy, Bachchan and Mukerji make this rogue pair an easily loveable one, and individually both obviously have a blast; Bachchan's dancing is far less gangly than usual, and Mukerji's priceless delivery of the line "You BI-ITCH!" is alone worth the price of admission. No, this is not world-changing cinema we're talking about here, but for the shallow summer popcorn season, it hits the spot.

(c)2005 Michael Dequina

Michael Dequina twotrey@juno.com | mrbrown@iname.com | mrbrown@themoviereport.com The Movie Report/Mr. Brown's Movie Site: www.themoviereport.com www.moviepoopshoot.com | www.cinemareview.com | www.aalbc.com on ICQ: #25289934 | on AOL IM: mrbrown23

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