Amityville Horror, The (2005)

reviewed by
Bill Clark


THE AMITYVILLE HORROR (2005)
by Bill Clark
http://www.fromthebalcony.com
bill@fromthebalcony.com
RATING (Ripe or Rotten): ROTTEN

URL: http://www.fromthebalcony.com/ah.htm

I love it when the tagline for a movie doubles as hidden instructions

to the unassuming crowd about to view it. It's almost like a disclaimer

that you only understand after, in this case, eighty-seven minutes of

life draining stupidity that you can't get back without a time machine

and a flux capacitor. Yes, dear friends, 2005's The Amityville Horror

is truly that awful.

Many will recall 1979's film of the same name starring James Brolin and

Margot Kidder. It is an old fashioned, effective horror film that uses

atmosphere, solid visuals, and down-to-earth characters to get the

blood flowing. It is now a cult classic, which means it's ripe for the

picking to be slaughtered by producer Michael Bay, who bludgeoned the

classic of all horror classics, The Texas Chainsaw Massacre, with a

horrid remake back in 2003.

This 'Amityville" has the identical setup, which is prefaced by the

eternal slogan "based on true events." In November of 1974 police were

dispatched to the home of the DeFeos, a well-liked, church-going

family. The police made a grisly discovery that night to the tune of

six dead bodies, all killed with a .35 caliber rifle as they slept.

Family member Ronald DeFeo confessed to committing the crime, but told

police that voices inside the house told him to do it.

A year later the house is up for sale and for dirt cheap. This

immediately peaks the interest of George (Reynolds) and Kathy (George)

Lutz. They are an unassuming couple with three kids, Billy (James),

Michael (Bennett), and Chelsea (Moretz). The scariest realtor ever

tells them of the tragedy that occurred in the house just a year

earlier, but the Lutzs press on with their purchase. You can probably

guess what happens from here.

Bay and company do what they do best when they get their hands on a

project: Suck the life out of it and replace it with ADD-style

camerawork, cheap scares, and characters so dumb that you just wish

that Leatherface would make a cameo and finish them all off. There are

also plot holes galore, with a severe lack of development to the film's

backstory. It takes Kathy over an hour into the film to finally get to

the library and figure out why their house is off-the-scale bananas.

While there she discovers other morbid facts about the house that serve

as bait for nightmarish acts that may or may not be real. What's the

point? Why not further delve into the religious undertones throughout

the film? Who was the man walking outside behind George in a key shot?

Ryan Reynolds is crucially miscast here. As a young man of sorts, I

would like to deliver a short memo to studios considering using

Reynolds in anything other than a comedy: Ryan Reynolds will forever be

Van Wilder. Any attempts to get him to act in anything serious will be

met with riotous laughter at inopportune times, as was readily apparent

at tonight's screening of this film. He was partially responsible for

ruining Blade: Trinity, and he strikes again here. The rest of cast is

suitably wasted, and unfortunately includes one of the most dependable

actors around, Philip Baker Hall. I kept waiting for him to save the

film from total oblivion, but it was to no avail.

The screenplay by Scott Kosar is a real Scotch tape job if I've ever

seen one, and that's pretty sad considering he had two key documents to

adapt from. Character development is zilch and the dialogue that is

forced to be spoken is flat out embarassing. As we all know by now,

horror characters are by nature stupid, but this is crazy stupid. After

one or two nights of seeing blood-drenched dead people I'd be adios

amigos. Instead we are forced to endure characters who think it's all

just craziness that will pass over if they just hang in there. Andrew

Douglas' direction has a nice look, but he clearly struggles in trying

to put together a story that is anything other than absurd and

carelessly crafted. We're a mile ahead of the story from minute one.

The Amityville Horror is supposedly a true story, even though the true

life George Lutz has already publicly blasted this film: "I am appalled

at the lack of personal integrity in the name of hype and promotion.

This (film) is supposed to be about my family and the 28 days we lived

in the house, instead it is something formed in the minds of others not

concerned with anything more than box office numbers and self import."

*

Mindless, sloppy, and containing only a few good jolts, this is one of

the most skippable movies so far this year. I must admit, however, that

I do have a small bit of admiration for a film that actually tries to

be worse than Hide and Seek. That should tell you all you need to know.

*IMDB news, 4-12-05

web: http://www.fromthebalcony.com

email: bill@fromthebalcony.com
Copyright 2005 FromTheBalcony
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