Born Into Brothels: Calcutta's Red Light Kids (2004)

reviewed by
David N. Butterworth


BORN INTO BROTHELS
A film review by David N. Butterworth
Copyright 2005 David N. Butterworth
*** (out of ****)

The winner of 2004's Academy Award® for Best Documentary Feature,

Zana Briski and Ross Kauffman's "Born into Brothels" isn't nearly as

prurient an experience as you might expect from a movie focusing on the

plight of young children growing up in the notorious red light district

of India's Sonagachi, a highly impoverished section of Calcutta.

That's partly because of the kids themselves, on whom the

filmmakers mostly concentrate, not their fallen mothers trapped by the

unavoidable scourge of "The Line," an inevitable life of prostitution

with little if anything to prevent their hapless daughters, some not

quite teenagers already, following in their ill-fated footsteps.

Strangely enough the eight featured children--Avijit, Gour, Kochi,

Manik, Puja, Shanti, Suchitra, and Tapasi--are vibrantly alive, many

with hopes of escaping the slums and securing an all-important

education no matter how fanciful, how impossible it might sound. (Their

fathers, if they're even still alive, are invariably drug addicts,

strung out on hashish.)

The kids talk openly and unsentimentally about their lives. "The

men who enter the building are not so good," comments one. They work

hard tending house–cooking, cleaning dishes, and babysitting siblings.

As a result they are mature beyond their years–older and very much the

wiser.

"Born into Brothels" is all about second chances and the

opportunity here has been provided in the form of a simple Western tool

that many of us take for granted: a point-and-shoot camera. Briski and

Kauffman, the former of whom appears on film and works side-by-side

with the children, ask the kids of Sonagachi to tell their own story in

words and (mostly) pictures through the construct of a basic

photography class and the results are often mesmerizing, with the

children--who range in age from ten to fourteen--possessing incredible

and heretofore untapped natural talent.

Briski's original goal was to live and work among the prostitutes,

capturing the sordid surroundings and conditions that front their

illegal activities on film (no easy task to be sure). But she was

instantly drawn to the children and quickly changed her approach. In

that regard she breaks the cardinal rule of documentary filmmaking by

actually getting involved in the children's lives, attempting to

register them for boarding school, for example, and influencing some of

their decision making, such as securing a visa and other travel

documents for the 11-year-old Avijit so that he can journey to

Amsterdam to participate in a World Press Photo Foundation exhibit.

In that regard we are afforded many opportunities to witness

Calcutta's incomprehensible bureaucracy, as Zana Auntie (as the kids

call Briski) battles stubborn government officials and their endless

red tape.

What unfolds, however, is a film that, despite its scurrilous

subject matter, remains genuinely uplifting and inspiring. Whereas not

every child introduced in the film is assured a happy ending, "Born

into Brothels" paints a vivid portrait of the vibrancy of human life no

matter how squalid its environment and reinforces the oft-held notion

that one person *can* make a difference.

--
David N. Butterworth
dnb@dca.net
Got beef? Visit "La Movie Boeuf"

online at http://members.dca.net/dnb

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X-RT-RatingText: 3/4

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