Smilla's Sense of Snow (1997)

reviewed by
Dragan Antulov


SMILLA'S SENSE OF SNOW (1997)
A Film Review
Copyright Dragan Antulov 2005

Compared with the rest of Europe, Denmark looks like small country. But

this perception changes if Danish self-governed territory of Greenland,

which happens to be the world's biggest island, is taken into account.

Few people are, however, aware of that because Greenland – with 81% of

its surface being covered by ice - is also one of the least hospitable

and least populated places on Earth. And, like many of those utterly

inhospitable places, Greenland is incredibly beautiful, which might be

seen in the very opening of SMILLA'S SENSE OF SNOW, 1997 Danish suspense

thriller directed by Bille August.

The film, based on the best-selling novel by Peter Hoeg, begins in 1859

when a huge meteorite suddenly hits Greenland. This catastrophic event,

witnessed by its only victim – a lonely Inuit fisherman - remains out of

history books until present day when the protagonist, tough-minded

mathematician Smilla Jaspersen (played by Julia Ormond), would have to

deal with some of its long-term consequences. Smilla, daughter of

physician Moritz Jaspersen (played by Robert Loggia) and Inuit mother,

was born in Greenland and spent first six years of life there. Despite

being brought to Copenhagen after mother's death, she never really

adapted to urban way of life and now lives as a moody recluse, dedicated

to mathematics and study of snow and ice. The only person with whom she

connects is Isaiah Christensen (played by Peter Hoeg), deaf Inuit child.

When child dies falling from the roof of the building, Smilla sees some

suspicious details and tries to warn authorities of a possible foul

play. Her efforts are greeted by "friendly" suggestions that she should

forget about whole affair. Smilla nevertheless continues with her

investigation and discovers that boy's father – who had been working for

Greenland Mining Company - also died in mysterious circumstances. The

only person willing to help Smilla in her quest of justice is a

mysterious neighbour (played by Gabriel Byrne) who wants to have sex

with her.

SMILLA'S SENSE OF SNOW is visually stunning film. Jörgen Persson's

cinematography has captured beauty of Greenland's icy landscapes and

made sharp contrast with dark, depressive and claustrophobic

surroundings of Copenhagen. Beauty of landscapes is well-matched with

the beauty of film's heroine. Julia Ormond, British actress whose career

choices weren't always fortunate, probably never played such a strong

and impressive character. Unfortunately, Danish director Bille August,

who had been forced to use British cast and have English dialogues for

commercial reasons, wasn't that lucky with the rest of the cast. Gabriel

Byrne is very bland in his role and has little chemistry with

protagonist. However, that doesn't prevent August from maintaining high

level of suspense and convincing audience that they are watching

something extraordinary.

Unfortunately, in last thirty minutes of the film it becomes evident

that SMILLA'S SENSE OF SNOW is triumph of style over substance. What

began as atmospheric and engrossing thriller with some political

overtones thrown for good measure, suddenly begins to drown in cheap

B-movie clichés, transforming into unconvincing combination of science

fiction and action genre.

However, despite the disappointing ending, SMILLA'S SENSE OF SNOW is a

satisfying movie experience. Good cinematography, very good acting,

unusual settings and characters are reasons why unoriginality of the

plot should be forgiven. And, despite all of its shortcomings, this film

was also very influential, at least judging by better known and vastly

inferior movie version of THE X-FILES, inspired by its atmosphere and

imagery.
RATING: 6/10 (++)
Review written on March 30th 2005
Dragan Antulov a.k.a. Drax
http://film.purger.com

Film Reviews in Croatian/Filmske recenzije na hrvatskom

http://draxreview.blogspot.com
Draxblog Movie Reviews
http://www.ofcs.org
Online Film Critics Society
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