Guess Who (2005)

reviewed by
Harvey S. Karten


GUESS WHO
Reviewed by Harvey S. Karten

Columbia Pictures/ Regency Enterprises

Grade: B+
Directed by: Kevin Rodney Sullivan

Written by: David Ronn, Jay Scherick, Peter Tolan

Cast: Bernie Mac, Ashton Kutcher, Zoe Saldana, RonReaco

Lee, Judith Scott, Robert Curtis Brown

Screened at: Chelsea West, NYC, 3/22/05

Americans believe in monogamy, but truth to tell you don't

marry one person: you marry a family. As though being married

is not itself a piece of cake, it's helpful to get along with your in-

laws. When you become engaged to someone outside your

culture, you may be ecstatic about your love for each other, but

what might your in-laws and, in fact, your own parents think of

such an arrangement? We live in a post-1960's generation and

such liaisons may be more widely accepted than they were in

Stanley Kramer's film "Guess Who's Coming to Dinner"–about a

black-white marriage in which Katherine Houghton brings home

her fiance, Sidney Poitier, to meet her perplexed parents. By

the title you may think that "Guess Who" is a sequel, simply

standing the Kramer pic on its head by changing the genders: in

this case a black girl brings her white boyfriend home to meet

her folks. But where Kramer's take is serious, director Kevin

Rodney Sullivan's is droll–with a few sentimental touches to

place the movie firmly into the conventions of romantic comedy.

What makes "Guess Who" different from "Meet the Parents" is

the racial aspect. We meet the white guy, Simon Green (Ashton

Kutcher), just as he is quitting his Wall Street job, the cause of

his bolting made clear near the sentimental conclusion of the

story. He picks up his fiancé, Theresa Jones (Zoe Saldana) and

off they go to the spacious New Jersey home of his in-laws to

be, Percy Jones (Bernie Mac) and his wife Marilyn (Judith

Scott). Women being usually the more tolerant sex, Marilyn

gives a warm welcome to the young 'uns while Percy, who holds

a job as senior loan officer in a bank, is upset. Bernie Mac,

however, is such a vital, comic presence, that his flashing,

Roger-Dangerfield eyes are exude general hilarity, his comic

timing so adroit that he hardly has to open his mouth to make

the strong pronouncements: his eyes tell all.

Since "Guess Who" follows the conventions of romantic

comedy, the arc is predictable. We are not giving much away

when we say that Percy and Simon, after clashing more times

than anyone should expect during a long weekend visit, will get

together, while Percy, having argued with his wife Marilyn to

such an extent that the two have parted ways, will find more

than enough common ground to repeat his vows with her as

scheduled.

Bernie Mac hits his comic stride early on when he thinks that the

driver of a taxi that takes the happy couple to his home is the

intended boyfriend, while the movie hits its climactic point

midway during a family dinner when Percy goads a reluctant

Simon into telling the family some of the racist jokes that Simon

has in the past "overheard." While the one about "How do we

know that Adam and Eve were not black?" "Because you can

never take a rib from a black man" wins applause, the follow-up

falls flat and threatens to alienate Percy from his intended son-

in-law for good.

Bernie Mac is so good in a role that only he–not Chris Rock, not

Eddie Murphy–can tackle, that he makes up for the false steps

of the miscast Ashton Kutcher, who appears to think that the

role of straight-man must be played as though he were

cardboard. Kutcher is unconvincing whether he wimps out

under the pressure of a strong father-figure or tries to turn on

the juice as the aggrieved party who forcefully stands up for

himself. Zoe Saldana (Pirates of the Caribbean," "The

Terminal") is perfectly cast as the strong woman who refuses to

give up the love of either her boyfriend or her father, the one

person who has a clear sense of what makes human beings tick

and can therefore convince us as peacemaker. Of the side

roles, the standout is that of Percy's septuagenarian father,

Howard (Hal Williams), a guy who is completely bemused by the

relationship that his granddaughter has with a white guy and is

ready to kick butt to prove it.

Rated PG-13. 103 minutes © 2005 by Harvey Karten

harveycritic@cs.com
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