I Heart Huckabees (2004)

reviewed by
Robin Clifford


"I Heart Huckabees"

David O. Russell begin filmmaking life with his

off-beat incest comedy, "Spanking the Monkey," then

went on to his journey of search and discovery of

one's roots in "Flirting with Disaster." He shunned

his independent feature roots when he took on the

Hollywood big budget Gulf War (the first one) epic

with "Three Kings." Russell returns to his indie film

days with an existential detective comedy that tries

to answer the questions of life in "I Heart

Huckabees."

Albert Markovski (Jason Schwartzman) is the

poetry-spewing director of the environmentally

conscious Open Spaces Coalition and is doing his part

to save the fast dwindling local rural environment.

The intense character experiences a series of

"coincidences" when he repeatedly runs into Steven

Nimieri, dubbed "the African Guy (Ger Duany), for no

reason." Another coincidence occurs when Albert goes

to a swanky restaurant and must wear the provided

sports jacket. In the pocket he finds the business

card for Vivian Jaffe, Existential Detective, and

contacts her for help in explaining the chance

meetings with Steven. 

Vivian introduces Albert to her husband and partner,

Bernard Jaffe (Dustin Hoffman), and the pair of

ethereal gumshoes invades the young man's life. Their

plan is to dismantle Albert's life, and the fear it

contains, and show him "the blanket truth" that links

everything in the universe together. To these nutty

detectives, there is no coincidence - everything is

linked together, somehow.

Meanwhile, Albert's position in Open Spaces is being

challenged by Brad Stand (Jude Law), the handsome,

ambitious, corporate ladder-climbing exec in the giant

department store conglomerate, Huckabees. Their

conflict builds quickly when Brad hires the Jaffe's

for his own dismantling. This conflict of client

interest draws the attention of the detectives' former

protégé and now opponent, Caterine Vauban (Isabelle

Huppert), who spouts a philosophy of disconnect

diametrically opposed to the Jaffe's.

"I Heart Huckabees" is an enigmatic film that wears

its philosophical heart (pun intended) on its sleeves

while steeping itself in a great deal of silliness.

The tongue-in-cheek dialogue is voiced with an earnest

fun that keeps things low-key but tense. Albert is an

excitable idealist who is the antithesis of his rival,

the coolheaded and pragmatic Brad. But, they are

really two sides of the same coin and the plotting

Brad begins to see his own life really is in need of

dismantling.

The cast of "Huckabees" is better than the material

they are given. Jason Schwartzman gives his Albert an

angst-ridden persona that desperately needs answers to

his deep questions. Albert's sudden, frustrated

swear-laden outbursts are just the tip of the iceberg

of his frustration with life. Dustin Hoffman gives a

deadpan performance as the philosophizing detective

with all of the answers to Albert's questions, at

least in the detective's mind. Lily Tomlin gets

mileage out her intensely low-key performance that

would put her in good stead with Jack Webb in the old

"Dragnet" TV series. Jude Law has fun with his Brad

and uses his handsome looks and winning smile to good,

if underutilized, effect. Isabelle Huppert flashes her

saucy Frenchness as the opposition party. Naomi Watt

does not show the stuff she displayed in her American

debut, "Mulhulland Drive," though her role as the

spokesperson for Huckabees feels like an add on. Mark

Wahlberg gets the most out of his working class

fireman, Tommy Corn, who has eschewed fossil fuels and

bicycles to his firefighting assignments. He and

Schwartzman spark a good deal of male-bonding

chemistry.

David O. Russell doesn't seem to know where he wants

to go with his career if you take "I Heart Huckabees"

as his next step in filmmaking. The success and budget

of "Three Kings" appears to have given the helmer a

taste for bigger things – the prestigious cast for the

silliness of "Huckabees" is an indication – but wants

to get back to his roots. I'm not sure he can have it

both ways and the result is a sometimes amusing, mild

mannered philosophical comedy that is, in the end,

shallow. I give it a C+.
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X-Language: en
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X-RT-TitleID: 1136990
X-RT-SourceID: 386
X-RT-AuthorID: 1488
X-RT-RatingText: C+

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