Tre uomini e una gamba (1997)

reviewed by
Dragan Antulov


TRE UOMINI E UNA GAMBA (1997)
(THREE MEN AND A LEG) (1997)
A Film Review
Copyright Dragan Antulov 2004

Just like the rest of Europe, Italian film industry has seen the better

days. Once powerful enough to rival Hollywood in the glamour and

prestige, Italian filmmakers are now struggling to escape arthouse

ghetto. Taking a cue from their French and Spanish neighbours, at

least some Italians are trying to rejuvenate their cinema industry by

films directed towards pleasing ordinary audience rather than

snobbish critics. In doing so, some of them have shown ability to give

Hollywood and their fellow countryman Roberto Benigni a run for

their money. Most formidable is the quartet of directors - Aldo

Baglio, Giovanni Storti, Giacomo Poretti and Massimo Venier - that

became famous due to their successful 1997 comedy TRE UOMINI E

UNA GAMBA.

Of those four men three - billed in the film simply as "Aldo",

"Giacomo" and "Giovanni" - appear before the camera and are

introduced as trio of neurotic assassins in Dallas 1963. This prologue

is revealed as nothing more than "movie within movie" and the plot

is quickly set in modern day Milan where three men - who share

their first names with actors playing them - work in hardware store

owned by vulgar and tyrannical nouveau riche businessman Cecconi

(played by Carlo Crocollo). Two have secured their jobs by marrying

Cecconi's daughters and Giacomo is about to do the same. Trio

prepares to travel to the south of Italy where Cecconi lives. Their

father-in-law wants them to deliver a wooden leg, which is actually a

masterpiece by renowned artist Garpetz. During the travel trio

experiences all sorts of problems and meets beautiful vacationer

Chiara (played by Marina Massironi), which is for Giacomo enough

to start reconsidering his upcoming marriage.

Almost everyone involved in this project, including Massironi, had

years of experience in theatre, stand-up comedy and television. They

also had experience of working together on popular television show

MAI DIRE GOL. This reflects in display of formidable comic abilities

and perfect interaction. On the other hand, quality of writing, while

sufficient for individual sketches, leaves something to be desired

when it comes to feature-length plot. This is problem is solved by

using the template of a road movie which allows TRE UOMINI E

UNA GAMBA to drift in various directions.

The quality of humour is surprisingly good. Those accustomed to

Hollywood standards of comedy are going to be awed by the

authors' lack of "political correctness" and other forms of self-

censorship that had castrated American film industry. On the other

hand, authors never go over the top and the film always keeps its

human dimension. The only problem that this film might encounter

is outside Italian borders. Humour in some scenes is difficult to

understand for those who don't have at least some familiarity with

social, cultural and political issues of modern Italy. Dream sequence

that refers to regional animosities between Italian North and South is

one of the examples. The ending is a little bit abrupt. However, those

are the minor flaws. TRE UOMINI E UNA GAMBA deserves to be

watched all over the world just as it deserved commercial success in

Italy.
RATING: 7/10 (+++)
Review written on October 11th 2004
Dragan Antulov a.k.a. Drax

http://film.purger.com - Filmske recenzije na hrvatskom/Movie Reviews in

Croatian

http://www.ofcs.org - Online Film Critics Society

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