Mou gaan dou (2002)

reviewed by
Robin Clifford


"Infernal Affairs"

Chan Win Yan (Tony Leung Chiu Wai) was recruited into

deep undercover when only a cadet in the Hong Kong

Police Academy. Lau Kin Ming (Andy Lau) is a secret

member of a powerful crime triad and is a deeply

hidden mole in the HKPD. The two are so entrenched in

their pretend lives the lines between right and wrong

blur as each tries to uncover the other in "Infernal

Affairs."

Think "Deep Cover." Think "Heat." Think

two-sides-of-the-same-coin. These things come to mind

as I watched the hard-boiled crime drama, "Infernal

Affairs."

Yan is recruited, while a police cadet, by

Superintendent Wong (Anthony Wong Chau-Sang) to enter

the dark and dangerous world of deep undercover within

the Hong Kong triads. He's been at it for over ten

years, moving up the ladder as the trusted lieutenant

of one increasingly powerful boss after another. He

now works for Sam (Eric Tsang) who happens to be the

gang leader who insinuated Ming and others into the

service of the HK police as his moles.

Ming was tops in his cadet class and has risen rapidly

in the HK police. Outwardly, he is a tough

crime-buster and, in all respects, a good cop.

Secretly, he is searching for the mole that has

plagued the triads for years giving valuable

information on their criminal operations to the

police.

Yan and Ming are both undercover and both hunting for

a mole. But, each has been immersed for so long in

their lie that they have formed loyalties and

friendships that neither is prepared for. Yan, doing

the bidding of boss Sam, has become the criminal that

he is supposed to be thwarting. Ming, too, takes on

the aura and responsibility of a cop, pleased with the

accolades he receives from his police colleagues.

"Infernal Affairs" is a character study that delves

into the psychological effects of going deeply

undercover. (But, "Deep Cover" does a better, more

focused job on showing the impact on the mind of the

mole.)

"Infernal Affairs" may confuse some with its many

story threads. This is the kind of complex film that

requires your full attention all the way through. It

isn't a good guy versus bad guy film but one that

shows good and bad, both, in the makeup of the

players. Dual-helmed by Andy Lau (as Wai Keung Lau,

also credited as one of the film's cinematographers

with Yiu-Fai Lai) and Siu Fai Mak (sharing script

credits with Felix Chong), "I.F." is a complicated

tale trying very hard to juggle the many stories of

its many players. Flash backs to the days when Yan and

Ming enter their undercover world lends to the

confusion as their youthful versions don't really

resemble the older moles.

There may be some resistance, in the American market,

to how "Internal Affairs" ends. Our

good-guy-always-wins penchant in the movies is taken

to task and some/many may not appreciate the film noir

ending. The movie bogs down, occasionally, as it tries

to do too much, giving importance to minor characters

that is more distracting than revealing.

The principle cast does a solid job with this gritty

crime drama. Leung and Lau are especially good in

showing the difficulties their dual existences bring

upon them. Anthony Wong stands out as police

Superintendent Wong, the puppet master controlling

Yan's undercover efforts. Eric Tsang is also effective

as the hard-as-nails crime boss, Sam.

In true Hong Kong fashion, "Infernal Affairs" has

spawned two sequels – both directed by Andy Lau.

Having seen the original and knowing the outcome for

its protagonists, I'm curious about the follow up

efforts. Rumors run rampant about an American remake

of the original. I give it a B-.
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X-RAMR-ID: 38784
X-Language: en
X-RT-ReviewID: 1326841
X-RT-TitleID: 1121503
X-RT-SourceID: 386
X-RT-AuthorID: 1488
X-RT-RatingText: B-

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