Around the Bend (2004)

reviewed by
Laura Clifford


AROUND THE BEND
---------------

When his grandfather Henry's (Michael Caine, "The Statement") health goes

into decline, Jason Lair (Josh Lucas, "Secondhand Lions," "Hulk") tries to

contact his estranged father. Four years later, Turner (Christopher

Walken, "The Stepford Wives") appears and Henry can finally rest. With

greatgrandson Zach (Jonah Bobo) in tow, Henry goes to his favorite

restaurant, Kentucky Fried Chicken, to compose a journey to heal the wounds

between his son and grandson in "Around the Bend."

Disguising blatant product placement as indie film financing by hiding it

in plain sight is only one of the sins committed by first time

writer/director Jordan Roberts. From eccentric old codgers (Caine, too

soon after a similar role in "Secondhand Lions") to undisclosed fatal

illnesses, Roberts pulls at the heartstrings in the most cliched and

commercial ways.

Archaeologist Henry studies funeral rituals in order to arrive at the right

one for himself, then shuffles off this mortal coil, leaving his remains

slumped in a booth at a KFC with a six-year old and a series of brown bags

each holding post-it instructions. Jason, a dull bank clerk who has

indulged grandpa all these years, dismisses his last wishes, but Turner,

who has denied his dad for years, insists on following them. Three

generations set off in a run down old van, visiting places meaningful to

the Lair men's past, all of which are conveniently sited near a KFC

(chicken eating is part of Henry's ritual for his heirs).

Quirkiness abounds. Henry's Danish live-in nurse, Katrina (Glenne Headly,

"Confessions of a Teenage Drama Queen," in the most embarrassing

performance of her career) watches gore exploitation films to relax. The

boys begin their trip at their mother/grandmother's grave, leaving behind a

turkey with extra mayo in a Glad sandwich bag. Turner saves a border

collie from an abusive rancher (although the dog disappears for an extended

period before reappearing at film's end). Zach connects with his granddad,

joyously dancing in the glow of headlights.

It won't be any surprise where all of this is headed and, while telling

this story may have been cathartic for the filmmaker, it's a journey taken

once too often, expressed by far more experienced hands, for the audience.

Cinematographer Michael Grady ("Wonderland") makes hay with southwestern

sunsets, but the accompanying score ladles on the saccharine whimsy. Walken

is never an unwelcome presence, but his Turner character is destined to be

one of his least memorable. Lucas is merely reactive. Only young Bobo

offers up something fresh and naturalistic.

Tyro screenwriter/director Roberts has made a competent film, but has

nothing new to say and no particular style in which to say it.

C-

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X-Language: en
X-RT-ReviewID: 1326101
X-RT-TitleID: 1137159
X-RT-SourceID: 386
X-RT-AuthorID: 1487
X-RT-RatingText: C-

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