Shaun of the Dead (2004)

reviewed by
Mark R. Leeper


                        SHAUN OF THE DEAD
                (a film review by Mark R. Leeper)

CAPSULE: This film is like a crossbreeding of George

Romero and Mike Leigh. Oblivious lower-middle-class

     Londoners slowly become aware that the dead are
     returning at trying to eat the living.  This satire
     laughs at the tropes of the zombie movie, but even
     more at the foibles of English life today.  The first
     half is very funny and the second half is at least
     witty.  Rating: low +2 (-4 to +4) or 7/10

Shaun and his friends from a run-down part of London live from one

dull night at the pub to the next. Shaun clerks in a store during

the day basically to get money for ale and peanuts in the evening.

Shaun's girlfriend Liz (Kate Ashfield) is tired of their

relationship and of going to the pub each night with the same

friends. It looks like he will lose her and that he is a man who

has no future anyway, so he does not notice when the civilization

loses its future. What happens is pretty much what happened in

George Romero's NIGHT OF THE LIVING DEAD, the dead start to come

back. The cause may be a returning space probe or frankenfood or

maybe something else, but the dead start coming back to life to

and eating the living.

The problem is that with the self-absorbed people of Shaun's

circle of friends and with the number of drunks usually on the

street, having flesh-eating zombies is too subtle a change to show

up on Shaun's radar screen. Oh, sure, the television is talking

about some sort of nasty disaster going on, but the telly is just

sort of background noise to Shaun. He has too many other problems

of his own to figure out what the man on the telly is on about.

People staggering in the street? Well, welcome to London. But

that gag can last only so long. The film stays funny even after

Shaun and his pal and housemate Ed (Nick Frost) realize that this

crisis really could be serious enough to affect them. Where the

film really damps down is in the final third. The film references

are always fun. And in a sort of scene that has been worn out,

like the killing of zombies, this film brings new humor. A scene

of Shaun and Ed in their backyard using familiar objects to fight

a pair of approaching zombies is new and funny and also

characterizes Ed and Shaun.

Unlike in most zombie films, the characters are actually developed

and the dialog is good and telling. We do get to know the main

characters. This is not an accident. Most of the actors and much

of the production crew worked together in the British television

comedy series "Spaced" and in SHAUN OF THE DEAD they continue the

30-something dialog and humor of that show. Simon Pegg again

stars and co-writes. Edgar Wright again directs and this time

co-writes. Several others actors are in common. (Perhaps with

the popularity of this film, that series will become available in

the United States.) There is, however, one welcome addition to

the cast. Since some people saw Bill Nighy in LOVE ACTUALLY they

have been dying to know where they could see more of this actor.

Here he plays Philip, Shaun's stepfather. As soon as you see him

you know in this movie he is destined to die and become a zombie.

How could anybody put Nighy in a zombie film and not let him play

a zombie?

This film brings to mind another odd take on Romero's zombie

premise. In the 2004 French film LES REVENANTS directed and co-

written by Robin Campillo the dead return as zombies who for once

are benign. That film takes a serious look at the interpersonal

and social effects of having the dead come back to life. Actually

not all of the cleverness of SHAUN OF THE DEAD should be

attributed to this production. The idea that many of the living

are already zombie-like and might as well be dead really goes back

to DAWN OF THE DEAD which itself had quite a bit of humor. This

comedy also is reminiscent of the wickedly funny short DAWN OF THE

NIGHT OF THE DEAD: THE MUSICAL.

SHAUN OF THE DEAD is a well-written satire taking the dead horror

sub-genre of zombie films and, well, bringing it back to life. I

rate it a low +2 on the -4 to +4 scale or 7/10.
                                        Mark R. Leeper
                                        mleeper@optonline.net
                                        Copyright 2004 Mark R. Leeper
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X-RT-RatingText: 7/10

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