I Heart Huckabees (2004)

reviewed by
Mark R. Leeper


                       I (HEART) HUCKABEES
                (a film review by Mark R. Leeper)

CAPSULE: This weird comedic fantasy lampoons pop

philosophy and everything else within reach but

     wastes the talents of Dustin Hoffman.  Rating:
     low +2 (-4 to +4) or 7/10

I (HEART) HUCKABEES is a broad spectrum, anarchic farce taking

scattergun aim at pop psychology, pop philosophy, consumerism,

suburban blight, self-help programs, advertising,

conservationists, Wal-Mart, and lot more. It takes special aim at

the meaningless jargon and false analogies that so many use to

explain the world to themselves. ("Have you transcended time and

space?" "Uh, time yes. Not space.") David O. Russell co-wrote

and directs. His last effort (THREE KINGS) was also weird but

that was at the same time as sobering over all as this film is

heady.

Albert Markovksi (played by Jason Schwartzman) is the founder of a

conservationist coalition who is being forced out of his no-power

position at the head by the shallow but attractive and very

political Brad Stand (Jude Law). Albert wants the world to return

to a clean, pure landscape, but he cannot think for two sentences

without profanity. A business card in the pocket of borrowed

jacket leads him to office two existential detectives who for a

fee will spy on him and report to him how to align his life with

their cosmic philosophy.

BEING JOHN MALKOVICH started anarchic and strange, but at a

certain point stopped introducing new ideas and played with the

rules it had already created. I (HEART) HUCKABEES never puts on

the brakes. It is one surreal scene after another. While it

seemed to be an audience pleaser, for me it never quite clicked

into place, never quite worked. There were certainly some

undeniably funny gags. In its unfocused way it milked some sacred

cows and made cheeseburgers of others. I laughed at the portrayal

of a self-help culture that reduces people to herds of sheep in

search of a shepherd.

Top billing goes to Dustin Hoffman in a long 1960s hairstyle. He

must have realized he was only tangential to this story and

accordingly phoned in a performance well below his usual standard

in better-written roles. For me this is a kind of irreverent,

cynical, and bitter comedy I liked. Perhaps in a second viewing I

will be able to better get in the mood.
                                        Mark R. Leeper
                                        mleeper@optonline.net
                                        Copyright 2004 Mark R. Leeper
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X-RAMR-ID: 38714
X-Language: en
X-RT-ReviewID: 1323668
X-RT-TitleID: 1136990
X-RT-AuthorID: 1309
X-RT-RatingText: 7/10

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