Still Crazy (1998)

reviewed by
Dragan Antulov


STILL CRAZY (1998)
A Film Review
Copyright Dragan Antulov 2004

Rock'n'roll is one of the most overrated cultural achievements of 20th

Century. At least this is the impression the author of this review gets

when he sees how once undisputed gods of music and their work

fare in the world dominated by the likes of Britney Spears and

Marilyn Manson. One of the rare positive things to come out of that

sorry state of affairs is STILL CRAZY, 1998 comedy directed by Brian

Gibson.

The plot revolves around "Strange Fruit", one of the most popular

1970s British rock bands. Like many of those bands, "Strange Fruit"

proved vulnerable to too much sex, alcohol, drugs and band in-

fighting. All that culminated in disastrous festival performance

followed by immediate break-up. Twenty years later Tony Costello

(played by Stephen Rea), one of its original members, doesn't make

much money as condom machine repairman so he accepts the offer to

gather other band members for a comeback tour. Although band's

former secretary and groupie Karen Knowles (played by Juliet

Aubrey) agrees to help him, reunion turns out to be much more

difficult that anyone had imagined. Some band members have

abandoned music career years ago, some are recovering from

substance abuse and some are dead. Costello, with the help of

Hughie (played by Billy Conolly), band's old roadie, nevertheless

manage to convince his old friends to test their abilities on the mini-

tour in Benelux countries.

STILL CRAZY is a film mostly oriented to the older audience - those

who feel sentimental towards good old times yet allow twenty or

more years of experience to put those cherished memories into

proper context. Scriptwriters Dick Clement and Ian Le Fresnais are

poking fun at the once deified world of rock'n'roll music and don't

escape from the realisation that the seemingly legendary past wasn't

that different from prosaic present. But they do it in very tactful

manner and show unmistakable fondness for the film's subject

matter. STILL CRAZY works because characters are more than comic

stereotypes - they are real human beings faced with unpleasant

issues of aging. Excellent British actors -Timothy Spall and Bill Nighy

(who would, in a way, repeat the role of aged rock star in LOVE

ACTUALLY) - contribute to this effect, aided by real life musicians

like Jimmy Nail.

Brian Gibson, who has handled music before in WHAT'S LOVE GOT

TO DO WITH IT directs this film very well and achieves proper

balance between pathos, humour and music numbers. Films like

these, of course, simply can't be made without some cliches. So, film

is given the usual happy ending in the form of triumphant concert.

Before that rather unconvincing saccharine-like plot twist clearly puts

STILL CRAZY in the world of Hollywood fantasy. But, there is

enough fun and rock music references in this film to make STILL

CRAZY appealing both to those who are sentimental towards 1970s

and those who still want to know what was so special about that

period.
RATING: 7/10 (+++)

Review written on September 28th 2004

Dragan Antulov a.k.a. Drax

http://film.purger.com - Filmske recenzije na hrvatskom/Movie Reviews in

Croatian

http://www.ofcs.org - Online Film Critics Society

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