Last Shot, The (2004)

reviewed by
Robin Clifford


"The Last Shot"

Steven Schats (Matthew Broderick) is a wannabe

filmmaker who has yet to make a movie. He has been

bicycling his screenplay (written with his brother

Martin Paris (Tim Blake Nelson)) around town for years

to anyone showing even a modicum of interest and jumps

at the offer by producer Joe Devine (Alec Baldwin) to,

finally, make his flick. What Steve doesn't know is

that Joe is an undercover FBI agent running a mob

sting to trap the infamous John Gotti in "The Last

Shot."

"The Last Shot" is based on the 1992 true-life article

by Steve Fishman about two ambitious filmmakers, Gary

Levy and Dan Lewk, and their unwitting part in an FBI

undercover operation to break the Mob hold on the

Teamsters union. Writer and first time director Jeff

Nathanson took this unbelievable story of ambition,

naivety and deception and brings it to the screen with

an amazing collection of talented actors. Besides

first among equals Broderick and Baldwin, Toni

Collette vamps her way through as a former star, Emily

French, trying to make a comeback; Tony Shalhoub plays

Tommy "The Black" Sanz, a mobster running a bribery

scam with the Teamsters who has ambitions to rise up

in the Mafia ranks; Calista Flockhart is Steven's

actress/girlfriend Valerie who expects to be the star

of the film; Tim Blake Nelson is Schats brother,

Marshal Paris (his pen name). Buck Henry, as the

budding filmmaker's agent, Lonnie Bosco, and Ray

Liotta as FBI chief and Joe's much more successful

brother, Jack Devine, round out the ensemble.

Steve is self-possessed and desperate enough to

overlook the fact that his new producer doesn't seem

to know a thing about making movies but balks when Joe

tries to change everything he has dreamed of doing.

First, Joe insists that the movie, set in the wilds of

Arizona and the Colorado River, be shot in Providence,

Rhode Island (a hotbed of mob activity). Other

restrictions on Steve's auteur spirit start to intrude

as Joe demands that Steven use a storage locker for an

Indian shaman ritual and have a garbage dump stand in

for a southwest US village.

Things perk up when Joe starts to actually believe

that they can, indeed, make a movie that will trap

Tommy Sanz. Devine envisions an FBI production company

making movies around the country, wherever mobsters

hang their hats, busting them and getting good box

office, too.

The cast is an embarrassment of acting riches that,

despite the novice helmer, give at least some

dimension to their characters. Alec Baldwin fares best

as ambitious, but not overly bright, Joe Devine.

Broderick is serviceable as the naïve filmmaker whose

biggest thrill is picking out the bullhorn he will use

to say, "Action!" and "That's a wrap!" Toni Collette,

one heck of an actress, vamps it up as movie star,

Emily. Calista Flockart gets good mileage out of her

Valerie, an on-the-verge-of–a-nervous-breakdown

actress with a penchant for high drama. Tony Shalhoub

gives a menacing/amusing perf as mobster Sanz. The

rest of the cast make their own small mark,

particularly Joan Cusack as a Hollywood producer and

FBI-adviser. Supporting cast is richly populated, if

under utilized.

"The Last Shot" takes the premise of the true-life

story, keeps that part pretty much intact, and

extrapolates it into fully developed characters and

layers a dose of comedy on top. There are no real

surprises to the film and I think a more deft hand at

the helm would have helped things appreciably. But,

Nathanson and company do a solid job, thanks to the

large and talented cast, to bring things to an amusing

and upbeat ending. I give it a B-.

For more Reeling reviews visit www.reelingreviews.com

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