Somersault (2004)

reviewed by
Andrew Staker


SOMERSAULT

Australia has a patch of country that gets cold

and snowy and beautiful in a way that is different

to the vast remainder. Jindabyne is the

town you pass through from Canberra on the

way up to the resorts. It is here that teenage

runaway Heidi (Abbie Cornish, Life Support)

finds refuge from a life of promiscuity fuelled

by a loveless home.

Amongst the frost and snowflakes she meets

Joe (Sam Worthington), a young farmer toughened

by his environment. The two forge a relationship

with more twists and turns than the

road up Kosciusko. Heidi finds work at the local

BP, where she is greatly contrasted with Bianca

(Adelaidean by heart Hollie Andrew), a nice girl

whose parents keep her away from Heidi's bad

influence.

The story of catharsis, where two characters

help each other out, not necessarily through

love, isn't new. What Somersault does offer are

snippets of beauty, whether in some of the performances

or the stunning cinematography of

Robert Humphreys, which makes full use of the

ragged and rough landscape. The mountains are

an unlikely but excellent place for the darker

smoulderings of the human heart. And like most

Australian films which aren't stupid bumpkin

comedies, sex isn't off the menu. It is there,

but thoughtfully there. It is heartbreaking when

Heidi flirts through the windshield with a pensioner,

merely out of desperation: she needs

love and siphons it from wherever she can. Even

the threesome scene, which might ring the bells

of exploitation, is tactfully executed.

But I'll go short of proclaiming this "the next

Shine". I felt it was rather long and tedious in

parts. The scene types overlap and repeat. The

dialogue rings disappointingly hollow in quite a

few areas, embarrassing the enthusiastic viewer.

A female friend who used to be a counsellor to

kids just like Heidi said the film really touched

her. That it should be (potentially) difficult to

empathise with the characters sours this film.

It's also hugely ironic, given the fact that

Bianca's brother suffers from Asperger's syndrome.

All up this is a beautiful looking Aussie film

with a classic, universal story. Fans of alpine

locations will enjoy what they see. Just make

sure you're not too sleepy when you go to see

it.
Andrew Staker
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