Ying xiong (2002)

reviewed by
Homer Yen


"Hero" – How Quick Thy Sword
by Homer Yen
(c) 2004

The martial arts genre is wonderfully transcended

by idealism, sacrifice, and romance in director

Zhang Yimou's saga of China some 2,000 years ago.

The movie is called "Hero," and the lineup of

Asian superstars can be considered the "Ocean's

Eleven" of Chinese films. Presented in Mandarin

with English subtitles, it is the Academy

Award-nominated picture for Best Foreign Film in

2002.

The Asian community has probably already seen

this, for the pirated copies immediately flooded

the DVD market just after its Chinese release

while Asian video stores already carry it on its

shelves. I saw it last year when a good friend

had lent me the DVD.  On the 27" TV, the

presentation seemed two-dimensional and almost

boring. In fact, I couldn't immediately

understand what all of the hype was about. But

to see this glorious presentation on a full-scale

screen versus the small screen is like being at a

football game rather than watching it at home.

It is a world of difference and merits your time

and attention.

The story centers on a stirring conversation

between Nameless (Jet Li), an incredibly adept

sword fighter and the King of the Qin Province

(Chen Dao Ming). Nameless is a man of stoic

intensity who has been invited to drink with the

King because he had slain several of the King's

most hated enemies. The King is curious to know

how he accomplished this. Even this opening

scene is thrilling, as the drinking ceremony

requires Nameless to maintain a distance of 100

paces or be killed instantly by his guards.

We learn that the King is not a benevolent ruler.

He dreams of uniting all of China's warring

kingdoms under his rule no matter what the cost

(as a side note, although ruthless, he did

succeed in uniting China as one land, developed a

single currency, and created a common language

system). Nameless goes on to explain how he

vanquished foes such as Long Sky (Donnie Yen) who

is the master of the spear, Broken Sword (Tony

Leung) whose style of swordplay is betrayed by

his calligraphy skills, and Flying Snow (Maggie

Cheung) whose own martial arts skills are not to

be underestimated. And with each foe vanquished,

a flashback shows their encounter.

The fighting is deft and the choreography is

amazing. However, the tension never subsides.

Consider one of the first scenes in which

Nameless and Long Sky do battle as a blind man

plays his zither in the background as

counterpoint. These scenes are punctuated with a

rare combination balletic grace and dramatic

effect. With its lush imagery, overall breadth,

and changing color schemes, you'll certainly be

hard-pressed to find a film that is as sweepingly

beautiful. It is an enchanting and moving piece

of work.  

The saga of China's nonage is a visually stunning

masterpiece that falls just short of perfection.

It is only marred by its own structure in which

several retellings are presented as the story

winds its way towards its ultimate truth. The

different points of view, unfortunately,

undermine the reality and the passion of some of

the relationships. And this causes the

characters to fall secondary to the intensity of

the cinematography. However, it is a glorious

epic production that shouldn't be missed.

Grade:        A-
S:        1 out of 3
L:        0 out of 3
V:        2 out of 3
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X-RT-TitleID: 1131781
X-RT-AuthorID: 1370
X-RT-RatingText: A-

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