Mean Creek (2004)

reviewed by
Laura Clifford


MEAN CREEK
----------

After a severe beating received in the school yard, Sam (Rory Culkin, "Igby

Goes Down," "You Can Count on Me") confides in older brother Rocky (Trevor

Morgan, "The Patriot"), who decides to teach Sam's tormentor George (Joshua

Peck, "Spun") a lesson. Rocky and his over-eager buddy Marty (Scott

Mechlowicz, "Euro Trip") cook up a bogus birthday boating trip for Sam so

they can invite George, strip him of his clothes and abandon him miles from

home. George, however, turns out to be a misunderstood, troubled kid that

everyone but Marty decides to befriend. But evil intent, like the ripples

of a stone dropped into a pond, will haunt that day on "Mean Creek."

First time writer/director Jacob Aaron Estes powerful debut is destined to

be compared to 1986's "River's Edge," but whereas that film invoked shocked

disbelief at the actions of a group of outcast teens, "Mean Creek" is more

extraordinary in its exploration of the human ingredients of a tragedy

using characters we can empathize with. Estes' amazing ensemble cast may

turn out to be the 2004 version of Coppola's "The Outsiders," which

featured such 'unknowns' as Tom Cruise, Matt Dillon and Diane Lane.

Estes demonstrates how surface perception frequently hides an entirely

different reality. George can be seen as a bully living a privileged life

in a higher economic stratum than most of the other kids, but he's a

learning disabled loner who lives in the self-contained world of his

digital video diaries who lashes out at perceived threats. His mother is

single and probably over indulgent (note the needlepoint pillow in George's

room - 'If it's not one thing, it's your mother'). Sam's crowd has an

entirely different set of problems. Marty is constantly having abuse

heaped on him by his gun-toting older brother Kile (Brandon Williams,

"Crossroads") and his obnoxious friend Jasper (Heath Lourwood). Quiet

Clyde (Ryan Kelley, "Stolen Summer") is taunted for being raised by a gay

couple. Rocky and Sam have a loving relationship that becomes ironic when

Rocky's protectiveness of his brother fuels a need for revenge (Estes

writes the hatching of this idea, a plan to hurt without physically

hurting, couched between typical brotherly observations on J Lo and Heather

Locklear) .

The screenplay is a wonder of cause and effect. George is looking for the

same thing as everyone else. He attempts to look cool to fit in and have

friends, yet his verbal attack on Marty, which sparks the fuse of the

film's climax, is based on a loss that he himself has probably suffered,

albeit on a lesser scale. The cyclical nature of abuse is subtly drawn in

Marty's backstory. A game of truth or dare becomes a chance to make others

experience one's own fears, most poignantly when Sam's first kiss with

Millie (Carly Schroeder, "The Lizzy Maguire Movie"), the lone female in the

group, is embarrassingly public.

Rory Culkin, the only name in the cast, continues to build an impressive

body of work for someone barely in his teens. His Sam is a decent,

thoughtful kid in the throes of an intelligently handled first romance

(which can't help but recall older brother Macauley's 1991 "My Girl").

Carly Schroeder, who could pass as Reese Witherspoon's little sister, makes

Millie a moral compass thrown into a situation she did not ask for.

Schroeder's impassioned cries of disbelief on the riverbank are

gut-wrenching. The actress's glance into a mirror upon her return home is

an act more usually associated with the loss of virginity and Schroeder

puts the metaphor across. Peck brilliantly captures the delicate balance

of awkwardness and oblivion displayed by people used to being rejected but

unaware of their own peculiarities. His buoyant proclamations are misted in

a slight spray of spit. Mechlowicz carries the weight of predestiny beneath

a playful veneer that makes his friendship with the more grounded Rocky

acceptable.

Using hand held camera and natural light, director of photography Sharone

Meir gets the sun dappled greenery of a perfect summertime day (the film

was shot on the Lewis river on the Oregon/Washington border) while keeping

us focused on the kids' unfolding drama. Production designer Greg McMickle

subtly contrasts George's privileged home against the humbler abodes of the

other kids. Original music by Tomandandy (`The Mothman Prophecies") is

atmospheric without being obtrusive.

The film's R rating is for some nonchalant scenes of pot smoking and some

minor swearing that seem perfectly natural for the age range of the

characters. "Mean Creek" is one of the best films of the summer and should

be seen by anyone looking for intelligent, provocative fare.

A-

For more Reeling reviews visit http://www.reelingreviews.com

==========
X-RAMR-ID: 38512
X-Language: en
X-RT-ReviewID: 1312354
X-RT-TitleID: 1135672
X-RT-SourceID: 386
X-RT-AuthorID: 1487
X-RT-RatingText: A-

The review above was posted to the rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the review and has no editorial control. Unless stated otherwise, the copyright belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due to ASCII to HTML conversion.

Related links: index of all rec.arts.movies.reviews reviews