Thomas Crown Affair, The (1999)

reviewed by
Dragan Antulov


THE THOMAS CROWN AFFAIR (1999)
A Film Review
Copyright Dragan Antulov 2004

When Hollywood shoots so many remakes of classic 1960s and 1970s

films it is reasonable to expect at least one of those remakes to be of

the same quality or even better than the original. This happened with

John McTiernan's 1999 thriller THE THOMAS CROWN AFFAIR,

remake of Norman Jewison's 1968 film.

Protagonist of the film is Thomas Crown (played by Pierce Brosnan),

New York billionaire who is able to get anything money can buy. The

only thing he lacks in his life is excitement and he wants to get it

through things money can't buy. Priceless works of art belong to such

category and Crown decides to steal Monet's painting from

Metropolitan Museum. The heist is complete success and police, led

by Detective McMann (played by Denis Leary), is clueless until

attractive insurance investigator Catherine Banning (played by Rene

Russo) becomes involved in the investigation. She is not just

attractive woman, but also a very experienced in her job and she

proves that by quickly determining that Crown was the perpetrator

of the crime. The problem for Banning is in the lack of evidence and

she tries to solve it through unconventional means, including her

body. Crown is more than aware that the attractive investigator

wants to bring him down but he is nevertheless thrilled with this

combination of mind games and seduction.

New version of THE THOMAS CROWN AFFAIR is better than

original, but this is hardly an accomplishment because the time

wasn't very kind to Jewison's film. Split-screen techniques and

delightful individualistic amorality used to be groundbreaking in late

1960s, but today the best thing that film is remembered for is Michel

Legrand's song "Windmills Of My Mind". John McTiernan,

filmmaker with the reputation of one of the most successful action

directors in modern Hollywood, took less "artsy" and more

conventional approach to the story, making this film look more

attractive and effective. Complicated action scenes are marvel to

watch and cinematography by Tom Priestly Jr. provides entertaining

glimpse of the expensive houses, wardrobe and other manifestations

of the bored tycoon's lifestyle. Bill Conti covers all that with very

effective music score.

The casting was right for this sort of film. Pierce Brosnan, who made

a career playing James Bond, is very comfortable in another role that

requires suaveness and seductive charisma. Rene Russo is also very

credible in the role of intelligent and capable woman unafraid to use

her sexuality as a weapon. Russo was unafraid to disrobe in front of

camera, which was very rare for established Hollywood actresses in

her age. That bravery served film very well, adding an extra erotic

dimension to the story. Brosnan and Russo had great chemistry

together and they were one of the more realistic on-screen couples in

last few years. Denis Leary is also very effective as character who

serves as voice of reason and puts all events in their proper context.

This version of THE THOMAS CROWN AFFAIR is good film, but it

is far from perfect and it is unlikely that it could match its

predecessor's cult status. This is mostly due to script. The middle

section of the film is slightly overlong and the subplot related to

Crown's trophy mistress (played by supermodel Esther Canadas)

wasn't really necessary. The transformation of Banning from

determined investigator to the woman in love isn't handled properly.

The ending is slightly over the top. But all those flaws should be

forgiven because of one single accomplishment - this film is one of

rare entries in John McTiernan's filmography that doesn't feature

excessive violence. After watching THE THOMAS CROWN AFFAIR

the world is going to be slightly better looking place.

RATING: 6/10 (++)
Review written on August 13th 2004
Dragan Antulov a.k.a. Drax

http://film.purger.com - Filmske recenzije na hrvatskom/Movie Reviews in

Croatian

http://www.ofcs.org - Online Film Critics Society

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X-RT-RatingText: 6/10

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