Égarés, Les (2003)

reviewed by
Harvey S. Karten


STRAYED
Reviewed by Harvey S. Karten
Wellspring
Grade: B-
Directed by: Andre Techine

Written by: Gilles Taurand, Andre Techine, from "Le Garcon

Aux
Yeux Gris" by Gilles Perrault

Cast:Emmanuelle Beart, Gaspard Ulliel, Gregoire Leprince-

Ringuet, Clemence Meyer, Jean Fornerod, Samuel Laberthe,

Eric Krekenmayer
Screened at:Preview 9, NYC, 4/29/04

War does strange things to people to soldiers, obviously, to

civilians as well. During World War II, some sociologists held

that American kids acted like kids while those who were the

same age in occupied Europe grew up mighty fast. Director

Andre Techine, born in the middle of the Second World War

and known for the economical way he handles small, complex

stories with provincial settings, specializes as well in his

depictions of awkward young people and eccentric leading

characters. In "Strayed," Techine, working with Gilles Taurand's

adaptation of Gilles Perrault's novel "The Boy With Grey Eyes,"

zeroes in on a newly widowed woman bringing up a teen boy

and a seven-year-old girl who having fled from their Parisian

home during the German occupation and having lost her car in

a bombing raid--tries her stoic best to keep a controlled front for

the benefit of her family, not the least for her own sanity.

Or does she? Techine hints that Odile (Emmanuelle Beart) is

not putting on an act at all but is the proverbial person with a

stick up her butt a repressed woman who in her middle years

has not yet realized that her life had not even begun, until...

Much of the story deals with the effect of a stranger's presence

on her and her teen son Philippe (Gregoire Leprince-Ringuet)

and even on her 7-year-old, Cathy (Clemence Meyer). When

Yvan (Gaspard Ulliel), a 17-year-old with closely-cropped hair

and without much of known history arrives on the scene, the

rigid Odile is plunged into conflict. One part of her is repelled by

the lad's feral nature. Yvan steals guns and other equipment

from fallen soldiers, has never been to school and therefore is

unable to read and write, and has no problem breaking into a

spacious, abandoned house in the French woodlands to give

refuge to his new buddies. The sexual tension between young

Yvan and Odile infuses the drama.

World War II serves almost as a plot contrivance for Techine,

as without the German planes' bombing innocent refugees,

characters like Odile and Yvan would not spend fifteen minutes

together, let alone several days or weeks. War has a way of

leveling classes in the style of "Swept Away" and creating a

background for experiences almost unheard of in peacetime. In

fact, like the Giannini character in "Swept Away," the lower class

Yvan has survival instincts unknown to Odile and her son

Philippe, which help preserve the sanity and regard for one

another during those trying times. (Speaking of regard, take

note of the French title of this film.)

Techine has not come close to the quality he demonstrated

with one of his best-known films, "Wild Reeds" about four

young people in rural France coming of age and exploring their

sexuality while listening to American top 40 songs. "Wild

Reeds" takes place during a critical time that finds France trying

to hold on to its colony in Algeria. Similar thematically to

"Strayed," "Wild Reeds" relates the tale of a group of French

citizens shaken by the arrival of a new French-Algerian student

in their boarding school. "Strayed," however, has little of the

political resonance, is far too talky, and possesses subtitles

often difficult to read, particularly when white letters are cast

against a white background. While several people are changed

by the experience of a stranger in their midst, what happens

ultimately to Yvan is beyond the pale of credibility.

   For a better take on the theme, try to find a DVD or a

screening of the 1962 film by Alex Joffe called "Fortunat," about

a middle class woman forced to flee from Nazi-occupied France

with her two young children, escorted by a poacher who poses

as her husband. More on the 1960 war drama which is not

reviewed in Leonard Maltin's annual door-stopper can be

found on the website

http://frenchfilms.topcities.com/nf_Fortunat_rev.html.

Not Rated. 90 minutes. Copyright 2004 by Harvey Karten

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X-RT-RatingText: B-

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