13 Going on 30 (2004)

reviewed by
Homer Yen


"13 Going on 30" - Doesn't Quite Add Up
by Homer Yen
(c) 2004

All of us welcome a cheery new face to the world

of cinema. And a radiant disposition such as

Jennifer Garner's will never go unappreciated.

She oozes such breeziness that even the dourest

of people would find themselves cracking a grin

just because of the happy aura that emanates from

her. It is the kind of embracing warmth that

define cinematic sweethearts like Meg Ryan and

Reese Witherspoon. And now we can add Jennifer

Garner to that list.

Now, she just needs to find the right kind of

material to bring out the charm that she

potentially can bring to a romantic comedy. It's

evident that she has what it takes. In all of

her scenes, her mere presence seems to provide a

little bit more of a buzz. For example, even her

actions to save a dying party by initiating a

line dance to Michael Jackson's

always-playable-but-seldom-heard Thriller is

probably funnier than it should be.

What the film lacks, however, is cohesiveness.

The premise of the film borrows heavily from

"Big," the body-switch film against which all

others body-switch film are compared. We first

meet our heroine, Jenna (Jennifer Garner), who is

13 and feeling awkward. Shunned by the coolest

students and only appreciated by the equally

awkward classmate Matt, she wishes that those

clumsy adolescent years were behind her and that

her life resembled that of Jennifer Garner.

Quicker than you can say "thirty and flirty," she

wakes up a new woman.  But the film seems to

quickly abandon its premise of a 13-year old in a

30-old body. As the new Jenna acclimates herself

into the world of adulthood, the film is not so

much about a kid wearing adult shoes. It's about

Jenna's power struggle at a large magazine where

she is an editor and also her attempts to renew

her friendship with Matt (Mark Ruffalo), who is

now less awkward and even a handsome city-boy.

17 years of her life have inexplicably whisked

by, and now, as the older Jenna, she is trying to

reconstruct her history.

The now-older Jenna realizes that she was

something of a bee-otch, which allowed her to

achieve the status that she enjoys now. The

challenge is that, going forward, no 13-year old

person can do the things that this high-powered

woman is required to do to keep the magazine

afloat. Meanwhile, it's somewhat discomforting

to see a 13-year old make herself so available to

the now-30ish Mark. The cohesiveness seems

disjointed. The film would've made more sense if

they eliminated the entire 13-going-on-30 idea

and just focused on Jenna realizing her Ebenezer

Scrooge ways and reforming before its too late.

As a comedy, it does provide its moments of

levity. But the types of laughs arise out of

embarrassing acts as well as cute ones. Watching

Jenna's hockey player boyfriend launch into an

impromptu striptease is the embarrassing kind of

funny. 30 year-old Jenna, who thinks like a

13-year old, trying to pick up a young man by

using the pick-up line, "can I borrow your

ketchup?" is the cute sort of funny. While "13

Going on 30" doesn't feel completely recycled, it

doesn't feel like it's broken new ground either.

Jennifer Garner is winning, but as for the rest

of the film, you get just about what you expect.

 Grade:        C+
S:        1 out of 3
L:        0 out of 3
V:        0 out of 3
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X-RAMR-ID: 37666
X-Language: en
X-RT-ReviewID: 1276082
X-RT-TitleID: 1131771
X-RT-AuthorID: 1370
X-RT-RatingText: C+

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