Bulletproof Monk (2003)

reviewed by
Ryan Ellis


Bulletproof Monk
a video review
by Ryan Ellis
April 11, 2004

This is the movie for anyone who was itching to see Stifler play a crouching

tiger. There's comic potential in seeing the obnoxious idiot from the

'American Pie' series try to become a legitimate chop-socky master.

Unfortunately, laughs are few and exasperated sighs are many in 'Bulletproof

Monk'. There's nothing new or interesting or exciting in this desperate

attempt to cozy up to North American audiences with the mystical

martial-arts genre. 'The Matrix' and 'Crouching Tiger, Hidden Dragon' made

wirework famous and lucrative in this part of the world after it had been

done for many years in Asia. Should we throw stones at the Wachowski

brothers for bringing all that stylized wirework to mainstream American

movies, inadvertently causing studios to think it's a well that would never

run dry? The pathetic box office take for 'Bulletproof Monk' seems to prove

that we restless folks in the Western world are tired of the flippity

floppity. What was so "whoa" in 1999 and 2000 just seems dull today.

Before we talk about today, let's talk about the past. Way back in 1943, the

Monk With No Name (Clint Yun-Fat...I mean, Chow Eastwood) inherits the

burden of protecting the Sacred Scrolls of Something or Other and then

watches his mentor gunned down seconds later. Lucky timing. Some magical

mumbo jumbo circled through the temple during the transformation of power,

revealing the Monk's mentor to be a very old man who was kept young &

healthy by the power of those scrolls or some such thing. Nazis want the

scrolls for the same reason they wanted Indiana Jones' Ark and his Holy

Grail and why they wanted Hellboy...to use these remarkable powers to

dominate the planet. The Monk survives the attack (hey, he IS bulletproof)

and journeys to North America 60 years later to stumble upon Kar (Seann

William Scott), a part-time pickpocket, a once-in-a-while film

projectionist, and the heir apparent. And he's right here in Toronto! Okay,

so several Canadian locations are supposed to be substitutes for the States.

Anyway, the chief Nazi is still alive and he's enlisted his granddaughter to

help capture the Monk.

Oh, boy, what a story! I'm sweating. Geez, that's only the 8 billionth time

you've heard that basic set-up...no, wait, I forgot about the girl. The

instantly forgettable Jaime King plays Jade, a wannabe street tough who

seems to be the Monk's best shot at a worthy replacement. What a super-duper

team of single-syllable heroes. It's Monk, Kar, and Jade in 'Uncreative

Character Names In An Uncreative Movie'. Will Jade and Kar push aside their

differences and get smoochy before the movie is over? Will Kar discover his

inner gravity defiance and defeat the bad guy in much the same way Neo does

in 'The Matrix'? Will this insolent young punk prove to be the Monk's

correct choice? Will all these bulletproof heroes and heroines save the

world? If you're cocking your head like Rover because you're just not sure

what the answers to those questions might be...well, watch the movie. The

rest of you know where this is going. It's all a matter of how you get

there.

I've never been the biggest fan of Seann William Scott and the only other

Chow Yun-Fat flick I've seen is 'Crouching Tiger'. Still, I know enough

about the Hong Kong legend to accept that his skills in this genre coupled

with Scott's buffoonish antics should have made this a charming romp. The

expected comedy from watching Stifler try to duel kung fuers is wasted

because he's already a skilled fighter before Monk meets him. He does a

pretty good imitation of the martial arts moves he screens in his theatre,

so his chief goals are to learn some ancient bullshit proverbs and how to

soar ridiculously through the air. How do these plucky martial artists soar

through the air with more agility than birds? Here's the Monk's response to

a question about the existence of the laws of gravity; "if you truly believe

they don't exist, then they don't." Oh, come on. That piece of zen malarkey

is accompanied by an on-going riddle as to why they package 10 weiners and

only 8 buns. If those two examples of pseudo-profundity are the best the

screenwriters could come up with...well, I'm not surprised. Hollywood's

generic "let's make a movie" computer spit this one out at a mind-bogglingly

bland rate. Giving the actors something witty to say would just take too

much time, I guess.

The movie isn't boring, though. I cheerfully spent half the time identifying

Toronto landmarks and locations. Do New Yorkers do that when they watch a

movie made right in their backyard? Plus, who doesn't like to see the

swastikas get knocked silly yet again? Those nasty Nazis take it on the chin

one more time. Oh, those Nazis. Will they ever win? The head evil dude is

played by Karel Roden. He preens his way through a cheap knock-off of a

Peter Stormare performance, a crappy effort at accented scenery-chewing. But

the real disappointment might be the headlining star, Chow Yun-Fat. This was

his first movie after 'Crouching Tiger, Hidden Dragon' and he's coasting. I

remember the trailer playing up the Monk's insouciant playfulness, although

the movie itself isn't very playful. And while Scott gets to flex his action

muscles, he does nothing that will encourage MGM to make 'Bulletproof

Pickpocket'. Can I claim copyright on that title, in case the word processor

known as Ethan Reiff and Cyrus Voris write a sequel to their script? No, I

can't? Fine, it sounds stupid anyway.

Really, what did I expect from a first-time director (Paul Hunter) with a

background in music videos? Well, I'd expect him to over-edit his movie or

make it garish or dark or memorable in some way. Nope. The production is

clean enough and the flying actors as visual effects look about the same as

what you'll find in similar highwire movies. If you've stumbled across this

review, you must be into such flippity floppity nonsense. Yeah, genre fans

will get a kick out of this. Quentin Tarantino was probably hootin' and

hollerin' when he saw this flick and Yun-Fat's worldwide fanbase undoubtedly

liked it. For anyone who relishes seeing actors sailing through the air on

digitially erased wires, rent the 'Bulletproof Monk' DVD or catch it on The

Movie Network. For people like me who've had very little exposure to Chow

Yun-Fat or this genre, find another way to burn 100 minutes of your life.

To applaud or scold, write to flickershows@hotmail.com. And check out my

website at http://groups.msn.com/TheMovieFiend.

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