Tri muskarca Melite Zganjer (1998)

reviewed by
Dragan Antulov


TRI MUSKARCA MELITE ZGANJER (1998)
A Film Review
Copyright Dragan Antulov 2004

Standards of 1990s Croatian cinema industry were so low that the

best Croatian film of that period simply had to look as different from

average Croatian film as possible. That task didn't require exotic

locations, CGI or foreign actors. Being of different genre was enough,

and most of Croatian films were, in one way or another, dramas

related to 1991-95 war or country's traumatic past. The first Croatian

film to deal with present and primarily designed to entertain the

audience was TRI MUSKARCA MELITE ZGANJER, 1998 romantic

comedy directed by Snjezana Tribuson.

Protagonist of the film is Melita Zganjer (played by Mirjana Rogina),

woman who desperately tries to lose weight. This proves to be very

difficult because she works in a pastry shop. Unlike her man-eating

roommate Visnja (played by Suzana Nikolic), she only dreams about

love and spends all her free time watching South American soap

opera "Slave of Love". The man of his dreams is much closer than she

thinks, though. Janko (played by Goran Navojec), young man who

delivers pastry, loves Melita but is too shy to express his feelings. In

the meantime, Eva (played by Sanja Vejnovic), policewoman and

another of Melita's roommates, tries to set her up with one of her

colleagues. Those efforts fail, but Melita's dreams seems to come true

with Antonio Mulero (played by Filip Sovagovic), "Slave of Love"

star who arrived to Zagreb to shoot a feature film.

There were some critics complaining about lack of originality in the

script for TRI MUSKARCA MELITE ZGANJER. Plot about

overweight woman trying to find love looked borrowed from P.J.

Hogan's MURIEL'S WEDDING while other critics found similarities

with Rajko Grlic's 1980s film U RALJAMA ZIVOTA. Yet, in the

context of 1990s Croatia all that looked refreshing. After plenty of

films dealing with Croatian past, TRI MUSKARCA MELITE

ZGANJER was first one to unapologetically deal with Croatian

present. The only trace of Croatia's recent troubles can be glimpsed in

the costumes and props on the film set visited by protagonist.

Tribuson is more concerned with another force that shapes Croatia's

collective psyche - South American soap operas. Far from ridiculing

those TV shows, this film pays homage to them by having Croatian

actors delivering huge sections of dialogue in Spanish. To do that,

those actors had to invest more effort than usually displayed in

Croatian movies, and the quality of the acting itself launches this film

high above the average. Directing, on the other hand, leaves

something to be desired, especially in the scenes depicting Melita's

kitschy world. But Tribuson, for the most part, handles the plot and

characters very well. The film is not hilarious, but is funny enough to

be entertaining. And this is something that very few 1990s Croatian

films managed to do. For that reason only TRI MUSKARCA MELITE

ZGANJER deserves much more praise than its reputation,

overshadowed by more serious films of the decade, might indicate.

RATING: 7/10 (+++)
Review written on April 11th 2004
Dragan Antulov a.k.a. Drax

http://film.purger.com - Filmske recenzije na hrvatskom/Movie Reviews in

Croatian

http://www.ofcs.org - Online Films Critics Society

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