Whole Ten Yards, The (2004)

reviewed by
Harvey S. Karten


THE WHOLE TEN YARDS
Reviewed by: Harvey S. Karten
Grade: F
Warner Bros./ Cheyenne Enterprises
Directed by: Howard Deutch

Written by: George Gallo, based on characters created by

Mitchell Kapner

Cast: Bruce Willis, Matthew Perry, Amanda Peet, Kevin Pollak,

Natasha Henstridge

Screened at: Loews E-Walk, NYC, 4/6/04

We don't expect Masterpiece Theater when we go to most

commercially-made comedies. We expect some silliness. After

all weren't the greats of the genre Buster Keaton, the Marx

brothers, Charlie Chaplin, all silly with their pratfalls and their

zany actions? By contrast, "The Whole Ten Yards" is not only

silly but actually painful to sit through. Bruce Willis is a fine

actor who can easily take on roles in serious dramas as well as

comedies and Amanda Peet is not simply good to look at but a

talented performer. But given the loose, even absent direction

and the incompetent script by two new guys in the field, Howard

Deutch and George Gallo "The Whole Ten Yards" becomes a

failure at every level.

The pic is a sequel to Jonathan Lynn's year 2000 film "The

Whole Nine Yards," also starring Bruce Willis as a hit man and

Matthew Perry as his next-door neighbor, a dentist in suburban

Montreal. In that worthy effort, Perry performs as a character

who can get something he wants by turning a dime on his

neighbor to members of the latter's former Chicago gang. A

black comedy with several competent twists, "Nine" may have

been a yard smaller than Deutch's effort but a whole lot more

laughs. By contrast, "The Whole Ten Yards" has (count 'em)

not a single chuckle unless you're a mighty unsophisticated

member of the audience who gets his jollies from each pratfall

and a taste for vulgarities ranging from the flatulence of an old

woman, the running over of a pet chicken, and worst of all the

grating repetition of a shrill voice coming from a jackass of a

gangster.

Director Deutch has changed the venue from Montreal to L.A.

and Mexico, opening on retired hit man Jimmy Tudeski (Bruce

Willis), who seeks laughs from the audience by posing with a

kerchief on his head, and apron on his torso, and some talk

about the latest dish he's baking for himself and his wife Jill

(Amanda Peet). Jill, contemptuous of her husband's retirement

and of his inability to impregnate her due to erectile dysfunction,

wants to be the heavy of the duo, but she fails as a killer

because she is unable to hit the side of a barn.  

Meanwhile the newly released honcho of the Hungarian mafia,

Lazlo Gogolak (Kevin Pollak), seeks revenge on Jimmy for the

latter's alleged killing of Lazlo's sun, Yanni. To get the

information he needs, he kidnaps Cynthia (Natasha Henstridge),

Jimmy's former wife, now married to dentist Oz Oseransky

(Matthew Perry). The plan is to have Oz find Jimmy in Mexico,

thereby leading Lazlo to his prey.

The plot, such as it is, involves a couple of twists, some

double crosses, several takes of Willis crying, drinking, cooking,

the opposite of what you'd expect a hit man to do--all devices in

the service of getting cheap guffaws that could indeed come

from those too embarrassed to hide under their seats.

Rated PG-13. 99 minutes.(c) 2004 by Harvey Karten at

Harveycritic@cs.com
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