Io non ho paura (2003)

reviewed by
Harvey S. Karten


I'M NOT SCARED (lo nonho paura)
Reviewed by: Harvey S. Karten
Grade: B+
Miramax Films
Directed by: Gabriele Salvatores

Written by: Niccolo Ammaniti, Francesca Marciano

Cast: Aitana Sanchez-Gijon, Dino Abbrescia, Giorgio Careccia,

Giuseppe Cristiano, Mattia Di Pierro, Diego Abatantuono

Screened at: Dolby, NYC, 2/5/04

Kidnapping stories usually are front-page news, as, for

example, the example in February of this year of the capture of

a guy who allegedly sped away with an eleven-year-old girl and

was captured via a surprisingly good image on videotape. In a

country like ours or 280 million people, it's a wonder that this

type of crime, carried out usually for money from rich parents,

does not occur more often.

Gabriele Salvatores, who directed "I'm Not Scared," or "lo

nonho paura" in the original Italian, was obviously fascinated by

Niccolo Ammaniti and Francesca Marciano's screenplay,

because unlike most gangster pics, this one is told strictly from

the point of view of a ten-year-old boy, on summer vacation

from the fifth grade in his southern Italian school. Unlike kids in

the U.S. who often say that they were bored for two months

"nuttin' ta do," the youngsters in "I'm Not Scared" are having a

ball at their impressionable age, which for those of us in loving

homes make up the best times of our lives, full of mystery and

excitement and free-spirited play. The freedom that these kids

enjoy is better than that of children from big cities and suburbs,

as they ride their bikes from the smallest of towns deep into the

corn-splashed fields that are virtually uninhabited.

During summer of 1978, young Michele (Giuseppe Cristiano)

is racing about with his sister and a handful of pals (which

include the obligatory bully) when he breaks away from the

gang to look for the eyeglasses lost by his sister. Locating

them, he observes a metal cover which, when lifted, gives him a

horrible view: a pair of legs extend beyond a blanket belonging,

presumably to a dead body, but when he closes the lid and

opens it once again, the legs disappear. When they appear

once again, they are attached to a kid who,in the film's scariest

second or two, looks like a scarecrow. Are we in for a horror

thriller? Not this time, or not exactly.

The discovered boy, Filippo (Mattia De Pierro) turns out to be

a kidnap victim who cannot open his eyes and, when coaxed to

leave the gangsters' hideout is blinded by the sun, making those

of us who took Philosophy 101 to think of Plato's allegory of the

cave (about people chained in a cave able to see only their

reflections on the wall cast by a fire and who misinterpret this as

reality).  

Giuseppe Cristiano, a handsome, bright and curious lad,

appears in virtually every scene and is a splendid find for

director Salvatores whose 1991 feature "Mediterraneo" about

stranded Italian soldiers living la dolce vita on a Greek island

during World War II won the Oscar for Best Foreign Language

entry. In a sense, "I'm Not Scared" follows the template: for

the stranded soldiers, substitute the two boys who, separated by

a couple of miles of corn field, are without adult supervision and

try to come to terms with the predicament. They seem unable to

take decisive action to liberate themselves from (if you will) the

Platonic cave. Never mind that the victim willingly returns to his

captives' chambers where he had been chained for days or

weeks! The would-be savior, limited by the mentality of a ten-

year-old, appears to believe it's perfectly acceptable to let the

kid stay there as long as he, Michele, can go home and sneak

bread and meat to the hungry and thirsty Filippo.

It's difficult to believe that Michele's folks, the obviously loving

dad Pino (Dino Abbrescia) who arm-wrestles his son with the

affectionate gave of mother Anna (Aitana Sanchez-Gijon), could

be so inept as kidnappers that they argue loudly with a Brazilian

partner in crime, Sergio (Diego Abatantuono) and a couple of

other scummy thugs who, for all we know, comprise a large

percentage of the village population. But what exactly to these

guys want? They watch the victim's mother on TV, but there

is no evidence that they demanded ransom.

With a spot-on selection of music, particularly imitative of

Vivaldi's baroque style and some gorgeous summer

photography in rural Italy, "I'm Not Scared" could be a dark fairy

tale (aren't they all?) but the performances of the two youthful

leads are wonderfully credible, a riveting display of real-life play

that turns dangerous.

Not Rated. 102 minutes.(c) 2004 by Harvey Karten at

Harveycritic@cs.com
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