Reservoir Dogs (1992)

reviewed by
John Ulmer


RESERVOIR DOGS (1992)
5/5 stars

Part of John Ulmer's Favorite Movies List

(http://www.wiredonmovies.com/favorites.html)

Originally written in 2003/posted to rec.arts.movies.reviews in April

2004

REVIEW BY JOHN ULMER (Copyright, 2003/2004)

"Reservoir Dogs" is one of the rare films that lives up to its hype.

Much like "Goodfellas," this film did not let me down, but I actually

enjoyed it much more than I ever dreamed.

The film plays backwards, a bit like "Memento." It opens at the end,

and recounts the last few days in the lives of crooks pulling a

jewelry heist. But as we learn immediately in the beginning that the

heist went wrong. Someone ratted to the cops; the cops showed up

during the heist and all heck broke loose. But I may be getting ahead

of myself.

In the beginning of the film, Mr. White (Harvey Keitel) and Mr. Orange

(Tim Roth) are in a car. Mr. Orange has been shot. We don't know how,

he just has. Mr. White brings Mr. Orange to a warehouse, and the two

men enter. Eventually Mr. Pink (the wonderful Steve Buscemi) shows up,

followed by Mr. Blonde (Michael Madsen), a crazy madman who opened

fire on civilians at the jewelry heist. For the duration of the film,

we are left to wonder who the cop is/was, and how everything happened.

Things open up bit-by-bit. We are shown every Mr.'s life in the last

few days before the heist, and what all happened. Of course, the men

aren't really Mr. White, Mr. Pink, Mr. Orange and Mr. Blonde. These

are their fake names for the sake of the heist. But we learn their

real names and the parts they play in he robbery as the film moves on.

And the last twenty minutes of this film is one of the most absorbing

twenty minutes in film history. Things appear all of a sudden. For

example, how Mr. Orange got shot. Once you realize who shot him and

why, things start to make more sense. Because knowing who Mr. Orange

is makes you wonder why he got shot. But who is Mr. Orange? Is he the

cop? Or is he someone else? See the movie for yourself and figure it

all out.

"Reservoir Dogs" ain't no "Goodfellas," but on the level of film it is

a masterpiece. The opening scene is one of the most mimicked scenes in

film history. And the performances are extraordinary. Harvey Keitel

fills in the shoes of Mr. White, who some said Robert De Niro would

have been better for. In all respect, I do like De Niro better, and

admit that the character carries many traits that De Niro's characters

usually do. Cool under pressure. Smart. Always thinking. You can see

his brain working like a clock. But I must also admit that Harvey

Keitel did a very, very good job of bringing his character to life.

You can almost see the chemistry between the actors boiling up. I like

films where there aren't many characters, because you will almost

always find the actors on screen giving some of the best performances

of their lives. They are locked with these other actors, and their

performance just gets stronger with every line they speak. Take, for

instance, the tension between Mr. White and Mr. Blonde. Keitel and

Madsen really go at each other, and it's great. And Buscemi, my

personal favorite of the group, is not only funny, but fun to watch on

screen. His performance is as great as his humor.

It's safe to say that Quentin Tarantino is a talented director. With

films such as "Pulp Fiction," "Jackie Brown" and "Reservoir Dogs" on

his resume, it's easy to understand why there's some hype and worry

built up around his upcoming flick "Kill Bill" (his first

director-outing in more than a few years). But in "Reservoir Dogs,"

Tarantino delivers a hard-hitting, foul, and sometimes truly appalling

film, that grips you by the throat and never lets go.

"Reservoir Dogs" isn't for everyone. Like I said, it is a rough,

tough, gruff and at times sickening film (see the police torture

scene). But if you can handle some very strong violence and language,

then this film is for you. It's got some amazing talents, some fairly

unknown at the time, bringing together one well-written, well-directed

film. Quentin Tarantino has said to be losing his charm for making a

good film lately, but no one can forget this film.

- John Ulmer
http://www.wiredonmovies.com
e-mail: johnulmer2003@msn.com
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