CAMP ----
In a parking lot full of buses gather a teenage diva with her own Eve Harrington, a young Latino who attended his prom in drag and the homespun girl who enjoys his company, an overweight teen whose parents have had her jaw wired shut and a new guy with a guitar who will be desired by them all. They all have stars in their eyes and talent and this summer they're all headed to performing arts "Camp."
Writer/director Todd Graff's (writer/coproducer, "Angie") fictitious Camp Ovation is based on his experiences at Stagedoor Manor, a Catskills theatrical camp whose alumni include Robert Downey Jr. and Jennifer Jason Leigh. His affectionate, frequently funny valentine to Steven Sondheim and kids with greasepaint in their veins is a lively, if unevenly constructed, romp.
The film is chaptered with playbill headings, listing play name, author and date of debut, but disorients with its out of context opening number "Father, Sister" sung by Dee (Sasha Allen). Graff's enthusiasm for cutting to the chase too early is an early indication that performances may not always smoothly segue from the story, but even if the scenes don't always flow into each other, they always entertain.
The summer camp ensemble's centrifugal force is Vlad (Daniel Letterle), a Matthew Modine lookalike who sets everyone's hearts aflutter, including his roommate Michael (Robin de Jesus). Vlad's audition piece, an acoustic rendition of "Wild Horses," wins over the camp's instructors and musicians as well, but he's befuddled by his placement in the avant garde play "Midnight Sun," which places him in a dumpster with two girls. One of those girls, Michael's friend Ellen (Joanna Chilcoat), develops a crush/friendship with Vlad, but camp diva Jill (Alana Allen, looking like a cross between Brittany Spears and Ellen Barkin) beats her to the punch with a bold play. Jill is unseated by her own ambition, though, especially after she casts out the adoring Fritzi (Anna Kendrick) who had been acting as her personal maid. Vlad's need to be liked by everyone causes weird romantic entanglements among himself, Michael, Ellen and Dee, but the friendships hold. On a more positive note, Vlad's refuses to back away from the negative vibes of former musical playwright, alcoholic camp instructor Bert Hanley (Don Dixon). He finds Hanley's unpublished songs and arranges one of them ("Century Plant") as a surprise. Overcome with emotion, Hanley agrees to using his work for the camp's final show, which unbeknownst to him, will be attended by Steven Sondheim.
Graff excels with his cast of unknowns, all of whom deliver such polished performances that you could swear you've seen many of them before. Robin de Jesus gives an accomplished turn as the young Latino with the cujones to vamp in drag but the insecure sensitivity of a lonely romantic. Anna Kendrick almost steals the show with an onstage takeover, stepping into"Ladies Who Lunch" mid-song after felling leading lady Jill (Allen) with Woolite. Allen, ostensibly the camp's premiere performer, is quite capable of holding center stage. Letterle is convincing as a narcissistic manipulator who nevertheless maintains sympathy. Chilcoat has an open, trusting quality as a talented girl next door type. Tiffany Taylor doesn't get much of a chance to act, but belts out the show's climatic "Here's Who I Am" with conviction. The only member of the cast who isn't entirely convincing is Dixon, who gives the impression of a real artistic director trying to play one.
Graff stuffs plenty of humor into the proceedings, beginning with a "M.A.S.H."-like omnipresent loudspeaker which tells the camps residents what they should be doing and where. An underutilized sports councilor practically begs campers to join in his games but is met with studied indifference. A Black camper complains that he and little brother Petie cannot relate to their roles in "Fiddler on the Roof" - cut to the 3 foot Petie cast as the love interest in "Dreamgirls" against Ellen, trying to relate to her Supremes-style wig. When Vlad asks Michael ('He called me Mike!') if he's every experimented with heterosexuality, Michael replies "What, slept with a straight boy?" Graff goes off the rails suggesting that Michael sleeps with a woman 'for' Vlad although this situation is redeemed somewhat by more searching explanation from Michael.
Original Music by Todd Rundgren (song "The Want Of A Nail") and Stephen Trask ("Hedwig and the Angry Inch") is neatly matched to the well and lesser known Broadway selections used throughout. Anyone who's ever hummed a show tune or pulled props and wardrobe from an attic to put on a show should have a good time with the kids at "Camp."
B
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