Heart of Me, The (2002)

reviewed by
David N. Butterworth


THE HEART OF ME
A film review by David N. Butterworth
Copyright 2003 David N. Butterworth
***1/2 (out of ****)
     London, 1934, and father has just died. 

"You're the man of the house now" quips mother (Eleanor Bron, looking like she just stepped out of "A Little Princess"). Her words are directed at her son-in-law Rickie, played by Paul Bettany. Rickie's married to Madeleine--mannered, repressed, one child--and doting brother-in-law to the free-spirited Dinah. The sisters are played by "The Sixth Sense"'s Olivia Williams, fetching in period curls, and Helena Bonham Carter, properly vivacious.

Soon after the funeral Dinah announces her engagement to a safe bet at a dinner party in a move teetering on peer pressure. Later that evening, Rickie takes his patriarchal duties a little too seriously by visiting Dinah in her bedroom late at night and demanding she break off the engagement. Dinah's dutiful compliance is the first hint that Rickie is perhaps not the most chaste of brothers-in-law.

Cinematographer turned director Thaddeus O'Sullivan's elegant, beautifully turned melodrama unfolds slowly, perceptively. It lingers on the details and doesn't rush to expose its secrets.

In a powerful move early in the film the action is moved ahead twelve years as Madeleine and Dinah attempt to reconcile the past over a lunch of what look to be stuffed cucumbers. You can see the havoc Dinah's affair has wreaked in the sisters' bleak, drawn out faces (some will call this a bleak, drawn out movie but I was entranced by the film's sense of time and proportion, not to mention its exquisite performances). Key snippets of information are revealed in these latter-day sequences, typically the fate of a key character or two, yet we bounce back to 1934 and its environs to learn more about how Dinah's selfish, callous act sent a tragic ripple through the hearts of men--and many.

Based on Rosamond Lehmann's 1953 novel "The Echoing Grove," "The Heart of Me" is a powerful, authentic, and deeply emotional period piece that clearly communicates that very special affinity between sisters. Catch it and hold onto it and never let it go.

--
David N. Butterworth
dnb@dca.net

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