ALIAS BETTY A film review by Steve Rhodes Copyright 2002 Steve Rhodes RATING (0 TO ****): **
ALIAS BETTY (BETTY FISHER ET AUTRES HISTORIES) can almost make you dizzy as it switches focus from character to character. If the characters had been interesting, sympathetic or believable, maybe the movie's schizophrenic structure might have been tolerable, but, as directed uninvitingly by Claude Miller, the movie offers little to its viewers.
Among the many overlapping stories is one about a grown woman named Betty Fisher (Sandrine Kiberlain) and her egotistical mother, Margot Fisher (Nicole Garcia). Betty, who now has a child of her own, is literally still bearing the scars of her childhood, namely a large mark where her mother stabbed her. Typical of the story's lack of reality is the reaction that Margot has when she discovers her possibly dead grandson. Rather than comforting the boy or running screaming about the accident, she just stares at him with a look of disgust. Her life revolves around herself, and her grandson's potentially fatal injury is an unappreciated inconvenience to her.
Most of the rest of the story is centered around a kidnapping. After disdaining kids, Margot goes and steals one for Betty. Like a three-ring circus, there are side stories aplenty -- none of them memorable.
"Let me die!" one of the characters screams after a poorly executed suicide attempt. "Let them all die!" was what I kept thinking, and what you may well be thinking too.
ALIAS BETTY runs 1:43. The film is in French with English subtitles. It is not rated but might be an R for sexuality and violence and would be acceptable for teenagers.
The film opens nationwide in the United States on Friday, November 8, 2002. In the Silicon Valley it will be showing at the Camera Cinemas.
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